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OnStar alrea. They eventually reach a schoolroom, where a teacher is indoctrinating the children on Wilford's greatness, just before a man brings eggs for the children to open to celebrate the eighteenth "New Year", each of which has marked one circumnavigation of the Earth.
The man goes to the tail army and shoots at them, freeing the captured guards in the process and revealing that bullets do exist still. The teacher shoots and kills Andrew before Grey kills her. In the tail section, Franco uses the distraction to kill the tail army and capture Gilliam.
Franco sends a live feed to the television in the classroom as he executes Gilliam; Curtis, in return, kills Mason.
Curtis's group moves on, but Franco soon catches up to them. Tanya and Grey are killed after fighting Franco, who is then seemingly killed by Curtis and Namgoong. The two, along with Yona, continue onward.
They reach the last car before the engine. Namgoong reveals he and Yona had been collecting Kronole, an addictive drug but also a potent explosive, which he wants to use to blow the door to the outside, believing they can survive. Curtis stops them, as he wants to meet Wilford; Curtis explains that in the early days of the train, 17 years before, the tail section had resorted to cannibalism, and he had been nearly ready to eat the infant Edgar but Gilliam offered him his arm instead.
Curtis wants to face Wilford to ask why he created this closed ecosystem. Just then, the engine door opens, and Wilford's assistant Claude emerges and wounds Namgoong before inviting Curtis inside.
Curtis meets Wilford, and to his shock learns that he and Gilliam conspired to stage Curtis's rebellion to reduce the tail section's population to sustainable levels. He then offers Curtis his position leading the train. Curtis appears ready to accept when Yona overpowers Claude, rushes in, and pulls open a floorboard to reveal Andrew and Tanya's children, Andy and Timmy, working the engine as slaves.
Appalled, Curtis knocks out Wilford and rescues Timmy from the machinery, though he loses his arm in the process. Curtis gives Yona matches to light the fuse for the Kronole, while Namgoong fights and kills Franco, who had followed them, along with partygoers from another car. As the door to the engine room will not close, Curtis and Namgoong use their bodies to protect Yona and Timmy from the blast.
The explosion kills everyone else but Yona and Timmy, causing an avalanche that derails the train. Shortly after, they escape the wreckage. They see a polar bear in the distance, indicating that life exists outside the train. When I first came across Transperceneigethe first thing that grabbed my attention was the unique cinematic space of a train.
Hundreds of metal pieces moving like a snake carrying people squirming inside gripped my heart. And the people were fighting against each other. They were not equal in this Noah's ark that held the last survivors as they were divided into cars. In the winter ofBong found Jean-Marc Rochette 's French graphic novel series Le Transperceneige at a comic book shop near Hongik University and finished reading the entire series while standing in front of the bookshelf where he found it.
Bong showed the series to his friends, fellow director Park Chan-wook and producer Lee Tae-hun, who loved it as well. Bong stated, " I had to come up with a completely new story and new characters in order to create a new, dynamic Snowpiercer that was packed with cinematic exhilaration. In the following year, Park's production company Moho Film acquired the copyrights to the original story of Snowpiercer for Bong, and in the copyrights to the story extended.
The first draft of the screenplay for Snowpiercer was completed on 15 Septemberand in December, the second draft of screenplay was completed and modified. The production team travelled to Europe for studio scouting and ended up with two studio choices: Barrandov Studios in Czech Republic and Korda Studios in Hungary. In Augusta Czech producer hired by the production team began negotiations with two film Album) for availability; Barrandov Studios was eventually chosen as the film studio and production service provider of Snowpiercer.
On 18 JanuaryKelly Masterson was hired to rewrite the script before it went into production due to Bong seeing his screenplay work on Before the Devil Knows You're Dead and being impressed with the tonality of darkness and acuity in the story. I had to capture that long story in a two-hour film, so rather than cut out some scenes from the comic, I just rewrote the whole story to fit this time frame.
On 13 JanuaryChris Evans began negotiations to star in the film adaptation, and was later confirmed as the film's male lead. I love the fact that I am working for Director Bong. I don't care what he's asking me to do because he's a really great filmmaker.
Bong states that it took four years to develop the project, with an additional three to produce with Park. On August the studio was determined as the shooting location and on OctoberBong and his production team moved to the Czech Republic. The preparatory production began in TyrolAustria during mid-March for one day to shoot some snowy scenery on the Hintertux Glacierwhich made for excellent conditions and perfect weather.
Bong filmed Snowpiercer with 35mm film in a 1. Bong's original wish was to shoot the film entirely in Korea, but a studio large enough to accommodate a set of such scale was difficult to find, thus Barrandov Studio was used instead, requiring the construction of a meter replica of the title train. Shooting at Barrandov Studios will never stop with a perpetual engine.
Flash SFX, the team involved in the construction of the gimbal stated, "The main challenge of physical effects work was that of inventing and developing a system that would perfectly simulate movements of train in motion. We managed to create a massive gimbal system supporting train cars with a total weight close to tons. It was capable of simulating all sideway motions and vibrations of the train, including perfect make-believe curves of railroad tracks.
On 14 Julyprincipal photography officially wrapped in the Barrandov Studios after a day shoot,   with post-production carried out in South Korea, and Bong started editing the film for its release.
Thus, visual effects supervisor Michel Mielke said " Visual effects designer Eric Durst spoke of the Aquarium Car being an intriguing challenge of lighting, with the differentiation of a water-based environment on one side and a frozen-based landscape at the other.
Durst and his team, including director of photography Alex Hong, had light "travel through water trays on top of the aquarium structure. Among the most challenging effects on the train was the length of the train and the number of cars that needed to be handled.
Mielke had a "very complex rig" created and built to provide the animators involved in the creating process with enough capability as was possible. He stated, "The rig managed that the train automatically followed the rails, that the motion of the wagons where simulated depending on the rails, that the wagons could be changed easily and so on.
Parallel to principal photography in Prague, the first designs of visuals spanned from May up until the final shots of early Marchwith a team of over 70 artists developing over VFX-shots with almost 50 being full of computer-generated imagery. On creating individuality for the passengers in the tail section, George had the designs come from random materials they would use to fashion practical clothing, "The tail section clothing was pieced together from different garments and repairs were made on top of that.
They had to improvise with any materials that were left on the train. The design was difficult as George had to conceal Evans's muscular physique and muscle mass thus, "We had to cut out the sleeves of his under layers to help him look leaner. George personally designed the costumes for Nam and Yona, who wear the "darker-coloured intense black". George also designed many of the tail section costumes, including Nam's, using Japanese Boro fabric.
In creating Claude's yellow coat and dress, George was mindful of the fact it was the first colour of brightness in the tail section scene, as well as the property of yellow being the most luminous colour in the spectrum. In order to make the colours appear "used" and "dirty", Nekvasil and company started with colourful props that were subsequently washed out and forcibly aged to create a feeling of "really used property and space", while creating a back story to justify the appearance.
When designing the train, Nekvasil and Bong hit upon the idea of the train not being designed by one man in one specific moment; the idea that "these various train cars were built in different periods of Wilford's Album). The design was difficult due to distance limitations, as Nekvasil said, " Instead of overly relying on CGINekvasil's production design team constructed twenty-six individual train cars and used a giant gyroscopic gimbal in Prague's Barrandov Studios to simulate the movement of an actual train when shooting.
In MayMarco Beltrami was hired to compose the incidental music for Snowpiercer. The film's official soundtrack was released in July in South Korea and the international release date was on 26 August All music is composed by Marco Beltrami. In response to the poor score given by the test audience, Weinstein said to Bong they needed to cut more. The film was eventually released on home media in North America on 21 October The film holds the domestic record for the fastest movie domestic and foreign to reach four million admissions, which it achieved in its fifth day after premiere, and another record for the highest weekend figure from Friday to Sunday for a Korean film, with 2.
The website's critical consensus states, " Snowpiercer offers an audaciously ambitious action spectacle for filmgoers numb to effects-driven blockbusters. Chris Nashawaty of Entertainment Weekly gave the piece an "A" rating, stating, " Snowpiercer sucks you into its strange, brave new world so completely, it leaves you with the all-too-rare sensation that you've just witnessed something you've never seen before Scott wrote, in his review for The New York Times"Planetary destruction and human extinction happen a half-dozen times every summer.
It's rarely this refreshing, though. Bong grabs onto the grungy conventions of postapocalyptic adventure with relish. He serves up claustrophobic action scenes one largely shot in Album) dark and ominous, messianic overtones as the band of rebels makes its way forward. Lou Lumenick of The New York Post gave the film high acclaim, writing, "Don't miss it—this is enormously fun visionary filmmaking, with a witty script and a great international cast. Clarence Tsui of The Hollywood Reporter wrote a highly positive review, commenting, " Snowpiercer is still an intellectually and artistically superior vehicle to many of the end-of-days futuristic action thrillers out there.
Choe's editing—are exceptional. James Rocchi of Film. Some were more critical of the film. Jordan Adler of We've Got This Covered wrote "We leave Snowpiercer more exhausted with questions than invigorated by its unique vision and style. It is a formidable example of directorial control bogged down by poor writing, half-finished effects work and a rather thin exploration of a fascinating dystopian universe.
It is available on Netflix for worldwide distribution. From Wikipedia, the free encyclopedia. Redirected from Snow Piercer.
This article is about the film. For the graphic novels, see Le Transperceneige. Bong Joon-ho Kelly Masterson. Release date. Running time. South Korea Czech Republic . Tilda Swinton received critical acclaim for her performance.
Marco Beltrami. Main article: Snowpiercer TV series. European Audiovisual Observatory. Retrieved 24 May British Board of Film Classification. Retrieved 10 April Archived from the original on 10 September Retrieved 9 June Box Office Mojo.
Archived from the original on 4 January Retrieved 21 December Film Business Asia. Archived from the original on 21 February Retrieved 3 February Archived from the original on 9 February Retrieved 11 October Archived from the original on 22 January Korean Cinema Today.
Archived from the original on 13 October Retrieved 7 June Archived from the original on 12 October The Hollywood Reporter. Archived from the original on 14 February Retrieved 14 February South China Morning Post.
Retrieved 31 December Archived from the original on 8 April Retrieved 5 April Andy Bailey. Mauboy has also incorporated her Aboriginal heritage into her music, including songs on the soundtrack album for The Sapphires and in the single "Sea of Flags".
Mauboy grew up listening to country singers Patsy ClineDolly Parton and Slim Dusty ;   she credits country music as her first love of music, saying the genre "is who I really, really am deeply. Dre and Snoop Dogg. She taught me that the lyrics you write have to come from personal experiences — I really felt her music. Now I aspire to writing honest lyrics with real feelings that people can relate to. Mauboy is known for her good girl image  and is considered a role model to young girls and Indigenous communities in Australia.
Humble, genuinely engaging and passionate about public service, Mauboy, put simply, is really nice. In every respect, the pint-sized pop star embodies one of the most elusive qualities of stardom: relatability. It's this genuineness that has seen her star ascend to where she actually is. Byrne noted that her "fashion choices have mirrored her rise in fame, with her style evolving from shy schoolgirl to confident diva, set to steal the sartorial spotlight.
Mauboy's weight has been the subject of media interest, ever since her rise to fame on Australian Idol when judge Kyle Sandilands publicly told her to "lose the jelly belly".
I just think she's fantastic and I'm completely nowhere near where she is, but I aspire to that. But that's just not who she is. InMauboy had a lead role in The Sapphiresa film based on the stage show of the same name.
Mauboy played the Album) of Julie McCrae, one of the four Indigenous Australian women who travel to Vietnam to sing for the American troops. The fragrance was developed by Mauboy in partnership with BrandPoint and was inspired by her hometown of Darwin.
Throughout her career, Mauboy has supported various charities in Australia. She is an ambassador for the Sony Foundation, which raises funds for youth-related causes. All proceeds from the concert went into a trust fund for the boys' ongoing treatment. Mauboy has also contributed to Indigenous organisations aimed at improving children's education. In Various - Real Women Have Curves (CDMauboy was announced to have joined the judging panel of The Voice Australia for its upcoming tenth season to replace Boy George.
From Wikipedia, the free encyclopedia. Australian singer-songwriter. Mauboy at the Eurovision Song Contest Darwin, Northern TerritoryAustralia. Sony Ministry of Sound Warner. Musical artist. See also: Young Divas discography. Main article: Jessica Mauboy videography.
Take 40 Australia. Retrieved 14 August Australian Recording Industry Association. Retrieved 24 September Sunday Style. Retrieved 12 August Take a look at the all-time best Aussie reality showstoppers". Herald Sun. Retrieved 8 April Retrieved 29 December Retrieved 23 February Retrieved 27 July Archived from the original on 18 March Retrieved 16 October Retrieved 5 July The Courier-Mail. Retrieved 1 February The Celebrity Bureau. Retrieved 11 May Alice Springs News Online. But I had to be more Jessica Mauboy and less that girl who came second".
The Sydney Morning Herald. Archived from the original on 17 August The Daily Telegraph. Australian Broadcasting Corporation. Retrieved 21 February Q News. Archived from the original on 6 July Retrieved 28 July The Australian. Retrieved 10 December Retrieved 18 August Australian Charts Portal. Retrieved 6 September Retrieved 17 August Department of Foreign Affairs and Trade Australia. Archived from the original on 5 April Retrieved 6 April The Jakarta Post.
Retrieved 8 September Retrieved 10 September Retrieved 26 January Jessica Mauboy.
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