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This home was built You Love Makes Me Shine - Various - Neo Disco : Disco 2000 Vol. 2 (CD) and last sold on for. X Edited 2 time s. On our website, you can find a great variety of video game mods files. It's a lush, heavily orchestrated, accessible piece of jazz that in some ways continues on from "First Light" and "Sky Dive" - the final track is an adaptation and extension of the title track from the latter album.

New gel battery. Getty Images. Over 45 years in business. We analyze millions of used cars daily. Oh Wow Swerve Feat. Don't Hit Me Right Now feat. Wells Fargo feat. Sleep Deprived feat. Self Love feat. Ladies, Ladies, Ladies feat. Cole Run It Back feat. JID, J. Sunset feat. PTSD feat. Beauty Sacrifices feat. Emperor's Arrival Intro Outer Limits feat.

From Slave Chains To Handcuffs feat. Still Reprise I Can Still Remember Westside Willie feat. Change Ur Beliefs feat. Kevlaar 7 Precious Moments feat. French Connection feat. Soul Drenched feat. DJ Los Get Me Rich Outro Buck Shots feat. Kxng Shxt feat. Fresh From The Morgue feat. God Body Tendency Awesome In the Ruff feat. Haile Supreme The Gangman Reaper feat. No Squares feat. Can't Breathe feat. Smitty Too Late feat. Control feat. But You feat. Termanology - Vintage Horns Only A Matter Of Time prod.

Credit feat. Grafh prod. A Lot Of Money prod. Nobody feat. Cooking Up feat. UFO Fev prod. Signs feat. Lost In My Pain feat. Work While They Sleep feat. Artisin prod. Fuck Ya List feat. Ras Kass prod. Vintage Horns feat. SuperSTah Snuk prod. Radio Killed feat. Walk On By feat. Landofhoney tro Hotshowr NAH Holup Sweepstakes-Ksablnka Dntellnobody TPE Replied Hideout Loosekannons Atmosphere - Whenever Bde Maka Ska Push Play Postal Lady Love Each Other Romance Dearly Beloved feat. The Hands of Time Whenever feat.

Lovely feat. Nikki Jean Son of Abyss You're Gonna Go Run Da Jewelz Die4U Snow Beach Formation Of Mental Objects feat. Alpha Bay Heat Economics feat. Part Of My Religion S feat. Chyna Streetz Discretion I Walking Here Jackpot Jackpot Rmx 1 Jackpot Rmx 2 Jackpot Rmx 3 Rn TRO Playingames Blunts TAPE Itsalovething Datbooti Hereiam allnght Bbygrl W.

Latenight Feelofurlip TAPE Higher Evryweaknd 4her Konfessions Bbydntkry Anythingelse Grlsneedlove Sosik ofyallaskingforths Welcome to Jim Crow The Secret Life of Blacks feat. Koku Gonza Accapella Young Niggas Maintain Back in the Day feat. Mama Said Skit Fear of God Jump the Broom feat.

Andy Allo Black in Amerikkka Skit Hashtag Nappy Hair feat. Love Homecoming feat. WdotIll Slave Awareness Skit Willie Gets Lynched feat. Yaw Point of Realization Soul Searching feat. Fe Fi Fo Fum feat. Big Shug Sun Dial feat. Realio Sparkzwell Ill Flows feat. Ill Conscious High Potent feat. Recreational Rec feat. Recognize Ali Oxygen feat. C Rayz Walz Got Wise feat. Sadat X Kool Taj Tha Gr8 Streets feat. Localblac Mental Perfection feat. Shabaam Sahdeeq Rhyme With Tha Finest feat. Suezar Real Az It Getz feat.

Appreciation feat. The Craft feat. Pacewon Better Days feat. Solomon Childs No Way Out feat. Hollywood Life feat. Get Paid feat. That's the World Don't It Feel So Good The Fall Can't Stop con Scolla Let You Down Father's Day The Ecology, Pt. City As School 2. From No Where Else Interlude 4. Old Cats 7.

Going to the City Interlude 8. I am to Learn 9. Best Laid Plans Intro 2. Nothing is Safe 3. He Dead feat. Ed Balloon 4. Haunting interlude 5. La Mala Ordina with The Rita feat. Club Down with Sarah Bernat 7. Prophecy interlude 8. Run for Your Life feat. La Chat 9. The Show Possession interlude All in Your Head feat. Blood of the Fang Story 7 Attunement with Pedestrian Deposit Out Of Body 2.

Valkyrie 3. Duval 4. Gator Rogowski feat. Shabaam Sahdeeq 5. Cloverfield 6. Goons Bible 7. Psy-Ops Cyclops 8. Crown feat. Pacewon 9. What Am I Doing Here? Self Destruct Button Suicidal Monolith Simian Conflikt Frank Vincent feat. Cyberia Radiation feat. North to South 2. Messy 3. Bless the Fire 4. Slabs of the Sunburnt West 5. Addicted Youth 6. Down 7. The One 8. Jargonne 9. Stone Soup Back at the House Rain Dance Up Against the Ropes Steel Hearts con Big Twins No Doubt Son con Madhattan Birds Eye View con Daisy Ramos Ashtray Shrunken Heads con Supreme Cerebral The Menu YGB Same Ol G Alkaligned 2.

Euphoria feat. Teira Lockhart Church 3. Alive feat. Thandi Ntuli 4. Here We Go feat. Rae Khalil 5. African Chop House feat. Rippy Austin 6. Heal and Chill 7. Fa You feat. Native Son feat. Cristal Occasions Love of the Hustle feat. Trav Make No Issues of It NYC feat. Fat Joe Good Die Young feat. Marc Scibilia State of the Union feat. Pity in the Summer feat. My Era feat. Nothing Lasts feat. Cocaine Dreamin feat. Mama I Made It feat. To Whom it May Concern feat. Sports Cars feat.

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Anti-Lilly Melancholy Funk Bitter Zarkon Destiny House of Angels Clean Awake feat. Category IV Intro Introduction Too Hard Mode Kaiju Attitude Body Snatchers feat. Operation Iron Fist feat. Understand Amerikkan Faces Of Death feat. General Steele Liquify Deadly Stylez Culturally Rich feat. Gang aka Crownsville feat.

Hype Danger feat. Big Twins Buckshot Permanent Damage feat. Champion Sound feat. Milano Constantine Pounds x Buckwild — Trafficante The Garden feat. Roc Marciano Legacy feat. Clifton Haston No Way Kill Em All Points feat.

Max Marciano Waitin On Me feat. Front Row Living Skit Foldable Stock Empire feat. Crimeapple Street Lights feat. Marchello Raekwon The Chef Intro Chef Dreds Moselle Cruiser Weight Coke Freddie HotSpot The Old Groove feat.

Novel Scotties Kennedy feat. Tiona Deniece City On The Map feat. May Store feat. Keisha Plum Powerful, bass-heavy, hi-fi sound systems were viewed as a key part of the disco club experience. Typical lighting designs for disco dance floors could include multi-coloured lights that swirl around or flash to the beat, strobe lightan illuminated dance floor and a mirror ball. Disco-era disc jockeys DJs would often remix existing songs using reel-to-reel tape machinesand add in percussion breaks, new sections, and new sounds.

DJs would select songs and grooves according to what the dancers wanted, transitioning from one song to another with a DJ mixer and using a microphone to introduce songs and speak to the audiences. Other equipment was added to the basic DJ setup, providing unique sound manipulations, such as reverbequalization, and echo effects unit.

Using this equipment, a DJ could do effects such as cutting out all but the bassline of a song and then slowly mixing in the beginning of another song using the DJ mixer's crossfader. Notable U. Some DJs were also record producers who created and produced disco songs in the recording studio. Larry Levan, for example, was You Love Makes Me Shine - Various - Neo Disco : Disco 2000 Vol. 2 (CD) prolific record producer as well as a DJ. Because record sales were often dependent on dance floor play by DJs in leading nightclubs, DJs were also influential for the development and popularization of certain types of disco music being produced for record labels.

In the early years, dancers in discos danced in a "hang loose" or "freestyle" approach. At first, many dancers improvised their own dance styles and dance steps.

Later in the disco era, popular dance styles were developed, including the "Bump", "Penguin", "Boogaloo", "Watergate" and "Robot". By October the Hustle reigned. It was highly stylized, sophisticated and overtly sexual. During the disco era, many nightclubs would commonly host disco dance competitions or offer free dance lessons. Some cities had disco dance instructors or dance schools, which taught people how to do popular disco dances such as "touch dancing", "the hustle", and " the cha cha ".

The pioneer of disco dance instruction was Karen Lustgarten in San Francisco in Her book The Complete Guide to Disco Dancing Warner Books was the first to name, break down and codify popular disco dances as dance forms and distinguish between disco freestyle, partner and line dances. The dynamic dance duo of Robin and Reggie led the show. The pair spent the week teaching disco dancing to dancers in the disco clubs.

The instructional show aired on Saturday mornings and had a strong following. The viewers of this would stay up all night on Fridays so they could be on the set the next morning, ready to return to the disco on Saturday night knowing with the latest personalized dance steps. The producers of the show, John Reid and Greg Roselli, routinely made appearances at disco functions with Robin and Reggie to scout out new dancing talent and promote upcoming events such as "Disco Night at White Sox Park".

Other dance marathons took place after Roberts held the world's record for disco dancing for a short period of time. Some notable professional dance troupes of the s included Pan's People and Hot Gossip. For many dancers, a key source of inspiration for s disco dancing was the film Saturday Night Fever Interest in disco dancing also helped spawn dance competition TV shows such as Dance Fever Disco fashions were very trendy in the late s.

Some women would wear sheer, flowing dresses, such as Halston dresses or loose, flared pants. Other women wore tight, revealing, sexy clothes, such as backless halter topsdisco pants"hot pants", or body-hugging spandex bodywear or "catsuits". Men often wore Pierre Cardin suits, three piece suits with a vest and double-knit polyester shirt jackets with matching trousers known as the leisure suit.

Men's leisure suits were typically form-fitted in some parts of the body, such as the waist and bottom, but the lower part of the pants were flared in a bell bottom style, to permit freedom of movement.

During the disco era, men engaged in elaborate grooming rituals and spent time choosing fashion clothing, both activities that would have been considered "feminine" according to the gender stereotypes of the era. Platform shoes and boots for both genders and high heels for women were popular footwear. Less commonly, some disco dancers wore outlandish costumes, dressed in dragcovered their bodies with gold or silver paint, or wore very skimpy outfits leaving them nearly nude; these uncommon get-ups were more likely to be seen at invitation-only New York City loft parties and disco clubs.

In addition to the dance and fashion aspects of the disco club scene, there was also a thriving club drug subcultureparticularly for drugs that would enhance the experience of dancing to the loud, bass-heavy music and the flashing colored lights, such as cocaine [22] nicknamed "blow"amyl nitrite " poppers "[23] and the " Paul Gootenberg states that "[t]he relationship of cocaine to s disco culture cannot be stressed enough While the dance floor was the central arena of seductionactual sex usually took place in the nether regions of the disco: bathroom stalls, exit stairwellsand so on.

In other cases the disco became a kind of 'main course' in a hedonist's menu for a night out. In his paper, "In Defense of Disco"Richard Dyer claims eroticism as one of the three main characteristics of disco. He uses Donna Summer's singles " Love to Love You Baby " and " I Feel Love " as examples of the ever present relationship between the synthesized bass lines and backgrounds to the simulated sounds of orgasms Summers echoes in the tracks, and likens them to the drug-fervent, sexually liberated fans of disco who sought to free themselves through disco's "aesthetic of machine sex.

In their history of the disc jockey and club culture, Bill Brewster and Frank Broughton describe the Sanctuary as "poured full of newly liberated gay men, then shaken and stirred by a weighty concoction of dance music and pharmacoia of pills and potions, the result is a festivaly of carnality.

By describing the music, drugs and liberated mentality as a trifecta coming together to create the festival of carnality, Brewster and Broughton are inciting all three as stimuli for the dancing, sex and other embodied movements that contributed to the corporeal vibrations within the Sanctuary.

This supports the argument that the disco music took a role in facilitating this sexual liberation that was experienced in the discotheques.

Further, this coupled with the recent legalization of abortions, the introduction of antibiotics and the pill all facilitated a culture shift around sex from one of procreation to pleasure and enjoyment fostering a very sex positive framework around discotheques. Further, in addition to gay sex being illegal in New York state, until the American Psychiatric Association classified homosexuality as an illness.

Disco was mostly developed from music that was popular on the dance floor in clubs that started playing records instead of having a live band. The first discotheques mostly played swing music. Later on uptempo rhythm and blues became popular in American clubs and northern soul and glam rock records in the UK.

In the early s, nightclubs in Paris resorted to playing jazz records during the Nazi occupation. She installed a dance floor with coloured lights and two turntables so she could play records without having a gap in the music.

The patrons were unimpressed until a young reporter, who happened to be covering the opening of the club, impulsively took control of the record player and introduced the records that he chose to play. Klaus Quirini later claimed to thus have been the world's first nightclub DJ. During the s, discotheque dancing became a European trend that was enthusiastically picked up by the American press. Those genres, mainly African-American ones, would influence much of early disco music.

Also during the s, the Motown record label developed a popular and influential own sounddescribed as having "1 simply structured songs with sophisticated melodies and chord changes, 2 a relentless four-beat drum pattern, 3 a gospel use of background voices, vaguely derived from the style of the Impressions, 4 a regular and sophisticated use of both horns and strings, 5 lead singers who were half way between pop and gospel music, 6 a group of accompanying musicians who were among the most dextrous, knowledgeable, and brilliant in all of popular music Motown bassists have long been the envy of white rock bassists [ citation needed ] and 7 a trebly style of mixing that relied heavily on electronic limiting and equalizing boosting the high range frequencies to give the overall product a distinctive sound, particularly effective for broadcast over AM radio.

At the end of the s, musicians and audiences from the Black, Italian and Latino communities adopted several traits from the hippie and psychedelia subcultures. They included using music venues with a loud, overwhelming sound, free-form dancing, trippy lighting, colorful costumes, and the use of hallucinogenic drugs. The long instrumental introductions and detailed orchestration found in psychedelic soul tracks by the Temptations are also considered as cinematic soul.

In the early s, Curtis Mayfield and Isaac Hayes scored hits with cinematic soul songs that were actually composed You Love Makes Me Shine - Various - Neo Disco : Disco 2000 Vol.

2 (CD) movie soundtracks: " Superfly " and " Theme from Shaft " The latter is sometimes regarded as an early disco song. In the early s, the Philly soul productions by Gamble and Huff evolved from the simpler arrangements of the lates into a style featuring lush strings, thumping basslines, and sliding hi-hat rhythms.

These elements would become typical for disco music and are found in several of the hits they produced in the early s:. Other early disco tracks that helped shape disco and became popular on the dance floors of underground discotheque clubs and parties include:.

The genre was also shaped by You Love Makes Me Shine - Various - Neo Disco : Disco 2000 Vol. 2 (CD) Moultonwho wanted to extend the enjoyment of dance songs — thus creating the extended mix or " remix ", going from a three-minute 45 rpm single to the much longer 12" record.

Frankie Knuckles was not only an important disco DJ; he also helped to develop house music in the s. In the s, the key counterculture of the sthe hippie movement, was fading away. The economic prosperity of the previous decade had declined, and unemployment, inflation and crime rates had soared. Political issues like the backlash from the Civil Rights Movement culminating in the form of race riots, the Vietnam War, the assassinations of Dr. Kennedy, and the Watergate scandal, left many feeling disillusioned and hopeless.

The start of the '70s was marked by a shift in the consciousness of the American people: the rise of the feminist movement, identity politics, gangs, etc. Disco music and disco dancing provided an escape from negative social and economic issues. In Beautiful Things in Popular CultureSimon Frith highlights the sociability of disco and its roots in s counterculture.

The birth of disco is often claimed to be found in the private dance parties held by New York City DJ David Mancuso's home that became known as The Loftan invitation-only non-commercial underground club that inspired many others.

After some months the parties became weekly events and Mancuso continued to give regular parties into the s. When Mancuso threw his first informal house parties, the gay community which made up much of The Loft's attendee roster was often harassed in the gay bars and dance clubswith many gay men carrying bail money with them to gay bars.

But at The Loft and many other early, private discothequesthey could dance together without fear of police action thanks to Mancuso's underground, yet legal, policies. Vince Aletti described it "like going to party, completely mixed, racially and sexually, where there wasn't any sense of someone being more important than anyone else," and Alex Rosner reiterated this saying "It was probably about sixty percent black and seventy percent gay There was a mix of sexual orientation, there was a mix of races, mix of economic groups.

A real mix, where the common denominator was music. Film critic Roger Ebert called the popular embrace of disco's exuberant dance moves an escape from "the general depression and drabness of the political and musical atmosphere of the late seventies.

Nirvana is the dance; when the music stops, you return to being ordinary. In the late s, uptempo soul with heavy beats and some associated dance styles and fashion were picked up in the British mod scene and formed the northern soul movement. As the favoured beat became more uptempo and frantic in the early s, northern soul dancing became more athletic, somewhat resembling the later dance styles of disco and break dancing.

Inthere were an estimated 25, mobile discos and 40, professional disc jockeys in the United Kingdom. Mobile discos were hired deejays that brought their own equipment to provide music for special events. Glam rock tracks were popular, with for example Gary Glitter 's single " Rock and Roll Part 2 " becoming popular on UK dance floors while it did not get any radio airplay.

From todisco music increased in popularity as many disco songs topped the charts. The Hues Corporation 's " Rock the Boat "a US number-one single and million-seller, was one of the early disco songs to reach number one.

The same year saw the release of " Kung Fu Fighting ", performed by Carl Douglas and produced by Bidduwhich reached number one in both the UK and US, and became the best-selling single of the year [53] and one of the best-selling singles of all time with 11 million records sold worldwide, [54] [55] helping to popularize disco to a great extent.

In the northwestern sections of the United Kingdom, the northern soul explosion, which started in the late s and peaked inmade the region receptive to disco, which the region's disc jockeys were bringing back from New York City. The shift by some DJs to the newer sounds coming from the U. Later inGaynor's number-one disco song was " I Will Survive ", which was seen as a symbol of female strength and a gay anthem, [58] like her further disco hit, a remake of " I Am What I Am "; in she released " Let Me Know I Have a Right ", a single which gained popularity in the civil rights movements.

Also inVincent Montana Jr. Formed by Harry Wayne Casey a. In this period, rock bands like the English Electric Light Orchestra featured in their songs a violin sound that became a staple of disco music, as in the hit " Evil Woman ", although the genre was correctly described as orchestral rock. Other disco producers such as Tom Moulton took ideas and techniques from dub music which came with the increased Jamaican migration to New York City in the s to provide alternatives to the "four on the floor" style that dominated.

DJ Larry Levan utilized styles from dub and jazz and remixing techniques to create early versions of house music that sparked the genre. From around the production of the Temptations' album Cloud Nine inhe incorporated some psychedelic influences and started to produce longer, dance-friendly tracks, with more room for elaborate rhythmic instrumental parts.

An example of such a long psychedelic soul track is " Papa Was a Rollin' Stone ", which appeared as a single edit of almost seven minutes and an approximately minute-long 12" version in By the early 70s, many of Whitfield's productions evolved more and more towards funk and disco, as heard on albums by the Undisputed Truth and the album G.

The Undisputed Trutha Motown recording act assembled by Whitfield to experiment with his psychedelic soul production techniques, found success with their song " Smiling Faces Sometimes ". Whitfield produced some more disco hits, including " Car Wash " by Rose Royce from the album soundtrack to the film Car Wash. Insinger, songwriter and producer Willie Hutchwho had been signed to Motown sincenow signed with Whitfield's new label, and scored a successful disco single with his song "In and Out" in Other Motown artists turned to disco as well.

Diana Ross embraced the disco sound with her successful outing " Love Hangover " from her self-titled album. The Supremesthe group that made Ross famous, scored a handful of hits in the disco clubs without her, most notably 's " I'm Gonna Let My Heart Do the Walking " and, their last charted single before disbanding, 's "You're My Driving Wheel". At the request of Motown that he produce songs in the disco genre, Marvin Gaye released " Got to Give It Up " indespite his dislike of disco.

He vowed not to record any songs in the genre, and actually wrote the song as a parody. However, several of Gaye's songs have disco elements, including " I Want You " Stevie Wonder released the disco single " Sir Duke " in as a tribute to Duke Ellingtonthe influential jazz legend who had died in It contained the disco single " Baby That's Backatcha ".

Several of Motown's solo artists who left the label went on to have successful disco songs. Mary WellsMotown's first female superstar with her signature song " My Guy " written by Smokey Robinsonabruptly left the label in She briefly reappeared on the charts with the disco song "Gigolo" in Jimmy Ruffinthe elder brother of the Temptations lead singer David Ruffinwas also signed to Motown, and released his most successful and well-known song " What Becomes of the Brokenhearted " as a single in Ruffin eventually left the record label in the mids, but saw success with the disco song " Hold On To My Love ", which was written and produced by Robin Gibb of the Bee Gees, for his album Sunrise.

Edwin Starrknown for his Motown protest song " War "reentered the charts in with a pair of disco songs, " Contact " and " H. Radio ". The song was intended as an affectionate disco-style pastiche of the Motown sound, in particular the various duets recorded by Marvin Gaye with Tammi Terrell and Kim Weston.

Many Motown groups who had left the record label charted with disco songs. The Jackson 5one of Motown's premier acts in the early s, left the record company in Jermaine Jacksonhowever, remained with the label after successful songs like " I Want You Back " and " ABC "and even the disco song " Dancing Machine " The Detroit Spinners were also signed to the Motown label and saw success with the Stevie Wonder-produced song " It's a Shame " in They left soon after, on the advice of fellow Detroit native Aretha Franklinto Atlantic Recordsand there had disco songs like " The Rubberband Man " However, one single, "The Night"was released You Love Makes Me Shine - Various - Neo Disco : Disco 2000 Vol.

2 (CD) Britain inand thanks to popularity from the Northern Soul circuit, reached number seven on the UK Singles Chart. This Swedish quartet, which sang primarily in English, found success with singles such as " Waterloo "" Fernando "" Take a Chance on Me "" Gimme! A Man After Midnight "and their signature smash hit " Dancing Queen " —ranks as the Fourth best-selling act of all time.

In s Munich, West Germanymusic producers Giorgio Moroder and Pete Bellotte made a decisive contribution to disco music with a string of hits for Donna Summerwhich became known as the "Munich Sound".

The final product, which contained a series of simulated orgasmsinitially was not intended for release, but when Moroder played it in the clubs it caused a sensation and he released it.

The song became an international hit, reaching the charts in many European countries and the US No. It has been described as the arrival of the expression of raw female sexual desire in pop music. A minute inch single was released. The 12" single became and remains a standard in discos today. Boney M. Another successful West German disco recording act was Silver Convention — The German group Kraftwerk also had an influence on Euro disco.

Dalida successfully adjusted herself to disco era and released at least a dozen of songs that charted among top number 10 in whole Europe and wider. French producer Alec Costandinos assembled the disco group Love and Kisses — Her greatest international single was "Tanti Auguri" "Best Wishes"which has become a popular song with gay audiences.

The song is also known under its Spanish title "Para hacer bien el amor hay que venir al sur" which refers to Southern Europe, since the song was recorded and taped in Spain. It was her only entry to the UK Singles Chartreaching number 9, where she remains a one-hit wonder. The song charted in different European countries. Euro disco continued evolving within the broad mainstream pop music scene, even when disco's popularity sharply declined in the United States, abandoned by major U.

In Decemberthe film Saturday Night Fever was released. It was a huge success and its soundtrack became one of the best-selling albums of all time. The idea for the film was sparked by a New York magazine [70] article titled " Tribal Rites of the New Saturday Night " which supposedly chronicled the disco culture in mids New York City, but was later revealed to have been fabricated.

The recording, which was included as part of the "MacArthur Park Suite" on her double live album Live and Morewas eight minutes and 40 seconds long on the album. The shorter seven-inch vinyl single version of MacArthur Park was Summer's first single to reach number one on the Hot ; it does not include the balladic second movement of the song, however.

A remix of "MacArthur Park" by Summer topped the Billboard Dance Charts marking five consecutive decades with a number-one song on the charts. The band Chic was formed mainly by guitarist Nile Rodgers —a self-described "street hippie" from late s New York—and bassist Bernard Edwards.

Their popular single, " Le Freak ", is regarded as an iconic song of the genre. Other successful songs by Chic include the often-sampled " Good Times " and " Everybody Dance " The group regarded themselves as the disco movement's rock band that made good on the hippie movement's ideals of peace, love, and freedom. Every song they wrote was written with an eye toward giving it "deep hidden meaning" or D. Sylvestera flamboyant and openly gay singer famous for his soaring falsetto voice, scored his biggest disco hit in late with " You Make Me Feel Mighty Real ".

His singing style was said to have influenced the singer Prince. At that time, disco was one of the forms of music most open to gay performers. They were known for their onstage costumes of typically male-associated jobs and ethnic minorities and achieved mainstream success with their hit song " Macho Man ".

Other songs include " Y. At the height of its popularity, many non-disco artists recorded songs with disco elements, such as Rod Stewart with his " Da Ya Think I'm Sexy? Progressive rock group Pink Floyd used disco-like drums and guitar in their song " Another Brick in the Wall, Part 2 "[77] which became their only number-one single in both the US and UK. Geils Band with " Come Back " The disco sound was also adopted by artists from other genres, including the U.

In particular, a disco remix of the track " Baby I'm Burnin' " peaked at number 15 on the Billboard Dance Club Songs chart; ultimately becoming one of the years biggest club hits. The rich orchestral accompaniment that became identified with the disco era conjured up the memories of the big band era—which brought out several artists that recorded and disco-ized some big band arrangements, including Perry Comowho re-recorded his song " Temptation ", inas well as Ethel Mermanwho released an album of disco songs entitled The Ethel Merman Disco Album in Easy listening icon Percy Faithin one of his last recordings, released an album entitled Disco Party and recorded a disco version of his " Theme from A Summer Place " in Classical music was even adapted for disco, notably Walter Murphy 's "A Fifth of Beethoven"based on the first movement of Beethoven 's 5th Symphony and "Flight 76"based on Rimsky-Korsakov 's " Flight of the Bumblebee "and Louis Clark 's Hooked On Classics series of albums and singles.

Many original television theme songs of the era also showed a strong disco influence, such as S. Several parodies of the disco style were created. Rick Deesat the time a radio DJ in Memphis, Tennesseerecorded " Disco Duck " and "Dis-Gorilla" ; Frank Zappa parodied the lifestyles of disco dancers in " Disco Boy " on his Zoot Allures album and in " Dancin' Fool " on his Sheik Yerbouti album; "Weird Al" Yankovic 's eponymous debut album includes a disco song called "Gotta Boogie", an extended pun on the similarity of the disco move to the American slang word " booger ".

Comedian Bill Cosby devoted his entire album Disco Bill to disco parodies. InMad Magazine released a flexi-disc titled Mad Disco featuring six full-length parodies of the genre. By the end of the s, anti-disco sentiment developed among rock music fans and musicians, particularly in the United States. Rock artists such as Rod Stewart and David Bowie who added disco elements to their music were accused of selling out.

The punk subculture in the United States and United Kingdom was often hostile to disco, [82] although in the UK, many early Sex Pistols fans such as the Bromley Contingent and Jordan liked disco, often congregating at nightclubs such as Louise's in Soho and the Sombrero in Kensington.

The track " Love Hangover " by Diana Rossthe house anthem at the former, was cited as a particular favourite by many early UK punks. The film The Great Rock 'n' Roll Swindle and its soundtrack album contained a disco medley of Sex Pistols songs, entitled Black Arabs and credited to a group of the same name. Jello Biafra of the Dead Kennedysin the song "Saturday Night Holocaust", likened disco to the cabaret culture of Weimar -era Germany for its apathy towards government policies and its escapism.

Mark Mothersbaugh of Devo said that disco was "like a beautiful woman with a great body and no brains", and a product of political apathy of that era.

Anti-disco sentiment was expressed in some television shows and films. In one scene of the comedy film Airplane! July 12,became known as "the day disco died" because of the Disco Demolition Nightan anti-disco demonstration in a baseball double-header at Comiskey Park in Chicago. As the second game was about to begin, the raucous crowd stormed onto the field and proceeded by setting firestearing out seats and pieces of turf, and other damage.

Push Push Pousser (Circuit Freestyle) - DJ Raze Starring Genevan Heathen* & Mattfoley* - Summer, Black Hole - Akio Niitsu - I.O (CD, Album), Salad Days - Minor Threat - Minors At Heart (Vinyl, LP, Album), Itch It Up Mi Selector - DJ Jack (DIY)* & LTJ Bukem - The Third Dimension - Westpoint Cut 30.10, The Calling - Things Will Go My Way (CD), Long Tall Cool One - Bruce Hornsby - Here Come The Noise Makers (CD, Album), Edwin Starr - Time / Time (Vinyl), II. Im Tempo Eines Gemächlichen Ländlers. Etwas Täppisch Und Sehr Derb - Mahler*, Riccardo Chailly,, Layin It On The Line - Starship (2) - Greatest Hits (Ten Years And Change 1979-1991) (CD), Clancy Of The Overflow - Various - 40 Australian Country Hits (Vinyl, LP), Weekapaug Groove - Phish - Hampton/Winston-Salem 97 (CD, Album), Moonima, Bait And Breath - The Ergon Carousel - Dead Banks (Vinyl, Album), Ive Got The Beat - The Righteous Brothers - Go Ahead And Cry (Vinyl, LP, Album)

9 thoughts on “You Love Makes Me Shine - Various - Neo Disco : Disco 2000 Vol. 2 (CD)

  1. Download and listen to new, exclusive, electronic dance music and house tracks. Available on mp3 and wav at the world’s largest store for DJs.

  2. Disco is a genre of dance music and a subculture that emerged in the s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, horns, electric piano, synthesizers, and electric rhythm guitars.. Well-known disco artists include ABBA, the Bee Gees, Donna Summer, Gloria Gaynor, Giorgio Moroder, Boney M., Earth.

  3. Visual kei (Japanese: ヴィジュアル系, Hepburn: Vijuaru Kei, lit. "Visual Style" or "Visual System") is a movement among Japanese musicians that is characterized by the use of varying levels of make-up, elaborate hair styles and flamboyant costumes, often, but not always, coupled with androgynous aesthetics, similar to Western glam rock. Some Western sources consider visual kei a music.

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