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For additional information, see the Global Shipping Program terms and conditions - opens in a new window or tab. International shipping paid to Pitney Bowes Inc. Though the record was not as successful as expected, her rendition has become the best-known version of the song. The album took the same direction as her first, covering jazz and pop standards and with strings on many of the songs.

An album of the same name was also released that year and included her take on Otis Redding 's "Security". In her autobiography, Rage to Surviveshe wrote that she heard the song outlined by her friend Ellington "Fugi" Jordan when she visited him in prison.

Following this success, James became an in-demand concert performer though she never again reached the heyday of her early to mids success. Though James continued to record for Chess, she was devastated by the death of Leonard Chess in James ventured into rock and funk with the release of her self-titled album inwith production from the famed rock producer Gabriel Meklerwho had worked with Steppenwolf and Janis Joplinwho had admired James and LP covered "Tell Mama" in concert.

The album, known for its mixture of musical styles, was nominated for a Grammy Award. Following this brief success, however, she left Chess Records and did not record for another ten years as she struggled with drug addiction and alcoholism. James continued to perform on occasion in the early s, including two guest appearances at Grateful Dead concerts in December Rock 'n' Roll. James participated with the rap singer Def Jef on the song "Droppin' Rhymes on Drums", which mixed James's jazz vocals with hip-hop.

She was inducted into the Rock and Roll Hall of Fame in Also inshe recorded the album Time After Time. A Christmas album, Etta James Christmaswas released in After an excerpt of the song was featured in a Diet Coke advertising campaign in the UK, it reached the top ten on the UK charts in Inshe received a Grammy Lifetime Achievement Award.

On her release, Blue Gardeniashe returned to a jazz style. James performed at the top jazz festivals in the world, such as the Montreux Jazz Festival in, and She performed at the Playboy Jazz Festival in,and She also often performed at free summer arts festivals throughout the United States.

James later said that her previous critical remarks about Knowles for having performed "At Last" at the inauguration of Barack Obama were a joke stemming from how she felt hurt that she herself was not invited to sing her song. In Aprilat the age of 71, James made her final television appearance, performing "At Last" on the program Dancing with the Stars.

She carried on touring but by had to cancel concert dates because of her gradually failing health, after it was revealed that she was suffering from dementia and leukemia.

In NovemberJames released her final album, The Dreamerwhich was critically acclaimed upon its release. She announced that this would be her final album. Her continuing relevance was affirmed in when the late Swedish DJ Avicii achieved substantial chart success with the song " Levels ", which samples her song " Something's Got a Hold on Me ".

The same sample was used by the east coast rapper Flo Rida in his hit single " Good Feeling ". Both artists issued statements of condolence upon James's death. James was among hundreds of artists whose material was reportedly destroyed in the Universal fire. James possessed the vocal range of a contralto. It was not until the early s, when she began receiving major industry awards from the Grammys and the Blues Foundation, that she received wide recognition.

In recent years, [ when? Her song " Something's Got a Hold on Me " has been recognized in many ways. Another version, performed by Christina Aguilerawas in the film Burlesque. James was married to Artis Mills from until her death in James had two sons, Donto James and Sametto James, born to different fathers. By the mids, James was addicted to heroin.

She bounced checks, forged prescriptions and stole from her friends to finance her addiction. James encountered a string of legal problems during the early s due to her heroin addiction. She was continuously in and out of rehabilitation centers, including the Tarzana Treatment Centers, in Los Angeles, California.

Her husband Artis Mills accepted responsibility when they were both arrested for heroin possession and served a year prison sentence. InJames was arrested for possession of heroin.

During this period, No Moon At All - Anita ODay - Anita (Vinyl became addicted to methadone and would mix her doses with heroin. In her autobiography, she said that the time she spent in the hospital changed her life. After leaving treatment, however, her substance abuse continued after she developed No Moon At All - Anita ODay - Anita (Vinyl relationship with a man who was also using drugs. James was hospitalized in January to treat an infection caused by MRSAa bacterium resistant to many antibiotics.

Dances at the many ballrooms were typically four hours a night and theater dates generally involved playing mini concerts between each showing of the movie.

This was sometimes five or six a day, stretching from morning to late night. Most days not actually playing were spent in buses or cars. Days off from performing were rare. For Stan Kenton they just allowed for more record signing, radio station interviews, and advertising for Capitol Records. Due to the financial and personal demands, following an April performance in Tuscaloosahe broke up the Artistry in Rhythm incarnation of Kenton ensembles.

After a hiatus of five months, Kenton formed a new, larger ensemble to present Concerts in Progressive Jazz. This goal proved mostly obtainable but the band had to still fill in its schedule by booking dances and movie theater jobs, especially over the summer. Pete Rugolo composed and arranged the great bulk of the new music; Kenton declared these works to be Progressive Jazz.

A student of famed composer and educator Russ GarciaBob Graettinger wrote numerous works for the band, starting with his composition Thermopylae. His ground-breaking composition City of Glass was premiered by the band in Chicago in April, but not recorded for another two and a half years, in a reworked version for the Innovations Orchestra.

Ken Hannawho began the tour as a trumpet player, contributed a few compositions to the new band, including Somnambulism. Kenton contributed no new scores to the Progressive Jazz band, although several of his older works were performed on concerts, including Concerto to End All Concertos, Eager Beaver, Opus in Pastels, and Artistry in Rhythm.

The addition of a full-time bongo player and a Brazilian guitarist in the band enabled Kenton's cadre of composers to explore Afro-Latin rhythms to far greater possibilities.

The Progressive Jazz period lasted 14 months, beginning on September 24,when the Stan Kenton Orchestra played a concert at the Rendezvous Ballroom. The band produced only one album and a handful of singles, due to a recording ban by the American Federation of Musicians that lasted the entirety of Many sidemen from the Artistry band returned, but there were significant changes.

Both were firsts for the Kenton band, or any jazz band for that matter. The rhythm section included returnees Eddie Safranski bass and Shelly Manne drumsboth destined to win first place Down Beat awards.

Kids are going haywire over the sheer noise of this band…There is a danger of an entire generation growing up with the idea that jazz and the atom bomb are essentially the same natural phenomenon. Al Porcino was added to the already powerhouse section. Conte Candoli joined the band, replacing Porcino, in February Kai Windingstar trombonist of the Artistry in Rhythm band would not be a part of the Progressive Jazz era, except for a few dates on which he subbed.

Milt Bernhart came in on lead trombone. And Bart Varsalona returned on bass trombone. Bernhart's first big solo with the Kenton band proved to be a major hit, The Peanut Vendor. The saxophone section was much improved and modernized. Returning saxophonists included baritone Bob Gioga, holding down his chair since the very start, and Bob Cooper on tenor.

With Vido Musso 's departure, Cooper and his modernist sound became the featured tenor soloist. Art Pepper came on as second alto, the "jazz" chair.

And the new lead alto was George Weidler. This was literally a band of all-stars. They received five first place awards in the Down Beat poll at the end of[15] and similar awards from the other magazines. The arrangers continued to push the limits of these superb instrumentalists in their compositions. Works from this period are more sophisticated than those written for the Artistry band, and are some of the first and most successful " third stream " compositions.

Kenton's band was the first to present a concert in the famous outdoor arena, the Hollywood Bowl. His concert there on June 12,drew more than 15, people, and was both an artistic and commercial success.

The band broke attendance records all across the country. Thanks to Kenton's public relations acumen, he was able to convince concert goers and record buyers of the importance of his music. Comedy numbers and June Christy vocals helped break up the seriousness of the new music.

Kenton's successes did not sit well with everyone. Rout Jr. At the end ofas the band was fulfilling an extended engagement at the Paramount Theater in New York City, the leader notified his sidemen, his bookers, and the press, that he would be disbanding once more. Kenton's most artistically and commercially successful band ceased to be at the top of their game. On December 14, the Stan Kenton Orchestra played their last notes for over a year.

When they returned, there would be new faces, new music and a string section. After a year's hiatus, in Kenton finally put together the large piece Innovations in Modern Music Orchestra that included 16 strings, a woodwind section, and two French horns.

The music was an extension of the works composed and recorded since by Bob GraettingerManny AlbamFranklyn Marks and others. The groups managed two tours during —51, from a commercial standpoint it would be Stan Album) first major failure.

Kenton soon reverted to a more standard piece lineup. In order to be more commercially viable, Kenton reformed the band in to a much more standard instrumentation: five saxes, five trombones, five trumpets, piano, guitar, bass, drums.

The music was written to better reflect the style of cutting edge, be-bop oriented big bands, such as those of Dizzy Gillespie or Woody Herman. Young, talented players and outstanding jazz soloists such as Maynard FergusonLee KonitzConte CandoliSal Salvadorand Frank Rosolino made strong contributions to the level of the —53 band.

The music composed and arranged during this time was far more tailor-made to contemporary jazz tastes; the album New Concepts of Artistry in Rhythm is noted as one of the high points in Kenton's career as band leader. Though the band was to have a very strong "concert book", Kenton also made sure the dance book was made new, fresh and contemporary. The album Sketches on Standards from is an excellent example of Kenton appealing to a wider audience while using the band and Bill Russo 's arranging skills to their fullest potential.

Even though the personnel changed rather rapidly, Kenton's focus was very clear on where he would lead things musically. By this time producer Lee Gillette worked well in concert with Kenton to LP a balanced set of recordings that were both commercially viable and cutting edge musically.

Arguably the most "swinging" band Kenton was to field came when legendary drummer Mel Lewis joined the orchestra in Kenton's Contemporary Concepts and Kenton in Hi-Fi albums during this time are very impressive as a be-bop recording and then a standard dance recording respectively.

The album climbed all the way up to 22 on the Billboard album charts and provided much needed revenue at a time when Rock n Roll had started to become the dominant pop music in the United States. While it offered 10 weeks of great exposure to a rapidly expanding television audience, the show failed. It was plagued by poor production techniques and a strange combination of guests that did not work well with what Kenton had envisioned.

He ended up being stiff and out of place with what the producers tried to achieve. The New York production team was limited by using an American Federation of Musicians roster of local players; Kenton wanted his own band to do the show. There would be another attempt for the Kenton organization to place the band on regularly scheduled television programming in One of the standout projects and recordings for the mids band is the Cuban Fire! At one point, Kenton faced a controversy in with comments he made when the band returned from a European tour.

The Kenton band was playing in Ontario, Canadaat the time, and Kenton dispatched a telegram which lamented "a new minority, white jazz musicians," and stated his "disgust [with the so-called] literary geniuses of jazz. Feather implied that Kenton's failure to win the Critics Poll was probably the real reason for the complaint, and wondered if racial prejudice was involved. In hindsight the record shows Kenton's biggest sin is to have hastily fired off the comments.

On "Anita's Blues," one can almost feel the years dropping away as O'Day hints at her recordings from the s. Much thanks! Acquire, please legitimate discs, which no doubt will adorn your collection!

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8 thoughts on “No Moon At All - Anita ODay - Anita (Vinyl, LP, Album)

  1. The EJ and EJ engines had an aluminium alloy cylinder head with cross-flow cooling. Unlike the EJ20 engine, the intake ports for the EJ and EJ engines created a ‘tumble swirl’ motion for air as it entered the cylinder for better mixing of the air and fuel for .

  2. View credits, reviews, tracks and shop for the Vinyl release of "Anita Sings The Most" on Discogs.

  3. This album has had a twisting and turning genesis. The first eight tracks were recorded in and released under the title ‘Anita O’Day Collates’ by Norgran Records in Norgran was Norman Granz’ original label. Norgran then reissued the album in under the title ‘Anita O’Day Sings Jazz.’.

  4. Sep 27,  · Anita O'Day: Title: Anita O'Day Trav'Lin Light (G/Dmm) Vinyl LP Label: Spiral Records (7) Released: Please note this release date may be subject to change and also stock arrival can be subject to delays, in particular if this is an overseas release. Format: LP: Country: Europe: Barcode: Price: AUD $ Stock.

  5. Dec 12,  · 5. Anita O'Day With The Roy Kral Quintet - No Soap, No Hope Blues 6. Anita O'Day With The Roy Kral Quintet - The Lady Is A Tramp 7. Anita O'Day With The Roy Kral Quintet - Speak Low 8. Anita O'Day With The Roy Kral Quintet - Strawberry Moon 9. Anita O'Day With Larry Russell's Orch. - Pagan love song

  6. Fun Records. Germany. $ Add to Cart. Details. Gene Krupa Featuring Anita O'Day,Roy Eldridge,Iren. Drummin' Man. Buy 5 Get Cheapest Free *buy With Confidence-accurate Grading Or Refund*uk Mainland Customers Lp/12" Or 30 .

  7. This track 2-CD set comprises the complete content of her albums during the first five years of that era - 'Anita O'Day Collates', 'Songs By Anita O'Day', 'An Evening With Anita O'Day', 'Anita' and 'Pick Yourself Up', (some titles appear on more than one LP) plus tracks from singles.

  8. Apr 04,  · Tracklist: In a Mellow Tone On the Trail The Man With a Horn Once in a While Sleepin' Bee I Cried For You No Moon at All Anita's Blues Gee, Baby, Ain't I Good For You Like Someone in Love More Than You Know Lover Come Back To Me It is extremely.

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