Scanner - hide (2) With Spread Beaver - Hide With Spread Beaver Appear!! "1998 Tribal Ja, Zoo" (DVD)

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World In My Dub - Snap! - Snap! Attack - The Remixes (Cassette)

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Forsaken - Dream Theater - Systematic Chaos (CD, Album)

Retrieved July 15, Recording Industry Association of America. Retrieved June 13, Note: User must define search parameters as "Dream Theater". Roadrunner Records. March 12, Archived from the original on March 16, Retrieved March 13, Archived from the original on April 17, Retrieved May 6, Retrieved August 1, TC Electronic. Archived from the original on June 30, Retrieved March 3, GfK Forsaken - Dream Theater - Systematic Chaos (CD.

Retrieved February 28, Retrieved February 27, Oricon Style in Japanese. Retrieved October 3, Archived from the original on July 28, VG-lista in Norwegian. Verdens Gang. Archived from the original on May 25, Retrieved December 29, Archived from the original on June 13, Official Charts Company.

Retrieved March 2, Peaks Album) "Chart Log UK". Archived from the original on October 19, Archived from the original on December 15, Retrieved May 16, Archived from the original on January 13, Recording Industry Association of Japan.

Tais CDs passaram a ser considerados raridades. Em dezembro do mesmo ano, os DT voltaram ao Brasil com 3 shows. Portnoy estaria se divertindo mais em seus projetos paralelos do que com a banda. Desta forma, Mike Portnoy oficialmente deixou a banda.

Em Agosto, a banda se apresenta no festival Wacken. Ao longo de sua carreira, os setlists do Dream Theater foram ficando cada vez maiores, mais diversos e menos restritivos. Apesar disso, houve shows do tipo "An evening with Al contrario, i restanti componenti erano Forsaken - Dream Theater - Systematic Chaos (CD intenzionati ad iniziare a lavorare su un nuovo album nel gennaio Il 16 dicembre Mike Portnoy annuncia che la sua collaborazione con gli Avenged Sevenfold si conclude, attraverso questo comunicato:.

La band ha deciso di continuare nel senza di me. Il batterista, oltre a ringraziare i fan e Forsaken - Dream Theater - Systematic Chaos (CD Avenged Sevenfold, ha aggiunto alcune spiegazioni riguardanti il suo futuro:. Dal marzo al novembrePortnoy ha suonato con i Twisted Sister in sostituzione al loro precedente batterista A. Pero, scomparso a causa di un attacco cardiaco. Una sua curiosa caratteristica consiste nell'abitudine di cambiare l'aspetto estetico e a volte anche componentistico della batteria ad ogni tour; per questo, prima dei concerti la sua batteria rimane coperta da un enorme telo Album), che viene rimosso solo pochi secondi prima che Portnoy salga sul palco.

Nel corso della sua carriera con i Dream Theater, Portnoy ha fatto uso di svariati set di batteria, tutti di marca Tama fatta eccezione per Awake e A Change of Seasonsdi marca Mapex. Caratterizzate da numerosi pezzi, le sue batterie venivano denominate "The Monster" o nomi simili atti ad enfatizzare questa particolare grandezza. The word "The" itself, capitalised, is used as an abbreviation in Commonwealth countries for the honorific title "The Right Honourable", as in e.

From Wikipedia, the free encyclopedia. Grammatical article in English. For other uses, see The disambiguation. For technical reasons"The 1s" redirects here. For the band, see Forsaken - Dream Theater - Systematic Chaos (CD No. Merriam Webster Online Dictionary. A Course in Phonetics 6th ed.

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I Aint Got You - Various - Clapton Is God...The Cream Of Early Eric (CD)

It was originally released by Starblend Records, and has since been reissued by Polydor Records. This 2 CD compilation is currently out of print in some markets while still available in some form in others.

Best of Cream is a compilation album of material recorded from to by the rock band Cream, and I Aint Got You - Various - Clapton Is God.The Cream Of Early Eric (CD) shortly after their disbanding.

The album was originally released by Cream's U. The album was briefly reissued in the U. A re-release was pressed in by Polydor on g vinyl. The song was composed primarily by keyboardist Bobby Whitlock, with guitarist Eric Clapton adding the last verse. Not to be confused with The Cream of Clapton. Eric Clapton. Hung Medien. Retrieved December 25, Australian Recording Industry Association.

Archived from the original on 14 June Retrieved 14 June Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.

Eric Clapton. Albums discography Singles discography Videography. Eric Clapton's Rainbow Concert E. Edge of Darkness Homeboy Rush.

Images, videos and audio are available under their respective licenses. Blues rock. Another Ticket Steppin' Out John Lee Hooker. Billy Boy Arnold. Naomi Neville. Calvin Carter. Graham Gouldman. Oscar Rasputin. Robert Johnson.

Bruce Brown. Clapton Bruce Brown. James Bracken. Clapton Sharp. Steve Winwood. Clapton Bramlett. Clapton Whitlock. Walter Jacobs. Arthur Crudup. Joe Medwich Veasey Don D. Its a Ray Charles classic and is the best song on the CD and one of his best ever. As they say at the end of the song "Lord have mercy" He turns in a performance you will listen to over and over I Aint Got You - Various - Clapton Is God.The Cream Of Early Eric (CD), alone worth the price of the CD.

Broken down is a solid performance and Find Myself is not as strong. I want a little girl is well worth the listen. Modern Girl and Superman inside are worth the listen. The finale Son and Sylvia that is dedicated to his late Uncle to me is a very strong instrumental performance. It will haunt you. The acoustic guitar is very pretty and the song is very well written. He should have included the concert favourite "Somewhere Over The Rainbow" which he did during the tour for this album.

The album is solid, but not one of his classic performances. He does show some brilliance on this CD. Its I Aint Got You - Various - Clapton Is God.The Cream Of Early Eric (CD) must for collectors. It's not that I didn't like it, and it's not that I loved it at first It was simply a sound that I wasn't expecting from a Clapton album. The first element I noticed about this album was the overall 'diversity' it showed with each track.

What makes Eric Clapton so unique as a 'musician' is that whatever your taste is in music, he's made an entire album in that I Aint Got You - Various - Clapton Is God.The Cream Of Early Eric (CD). He's done it. Up until "Reptile" he had never really recorded and released an album that incorporated all of those styles and in a way, this album represents all of the facets of Mr.

Clapton's solo career in one album. What pulls this album together is the production value on each individual song. Though it may pull a new listener away a bit at first listen, It's definitely one that grows on you. This is why I put it at 8 out of 10 for a rating.

Can't wait for your new album Eric! You're always surprising us with new sounds on each album. Thank you! Very original and very pop-like blues. Eric's voice really comes to life, he's developed a sort of Grunt nowadays and this really does I Aint Got You - Various - Clapton Is God.The Cream Of Early Eric (CD) a kind of enjoyment when listening to his vocals.

I don't really know how I Aint Got You - Various - Clapton Is God.The Cream Of Early Eric (CD) feel about that.

From Wikipedia, the free encyclopedia. The Cream of Eric Clapton. Release date. Running time.

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They Dont Make Em Like My Daddy - Trilly* - Doin The Crawdad (Vinyl, LP, Album)

From Wikipedia, the free encyclopedia. The Darling Buds. Indie twee pop. Here's a Song" LP via NYTimes. Tampa Bay Times.

Cheeeek that out dude. Lead RIFFs:. Bad selection. Save Cancel. Really delete this comment? Yes No. Bring It to Jerome. Cops and Robbers. Dearest Darling.

LP Kong, Mississippi. Daddy has me on my knees. Looking up at Him in His suit. He knows my face gets flushed and I bite my bottom lip. He knows how wet I get from His smell. His voice, and stripping Album) down. My hands shake as I strip Him slowly. My eyes avoid the huge bulge in His pants. He chuckles. I pull him out and start to Album) Him as he has taught me. Daddy slaps my ass and tells me to get ready for Him, He has been sexting me all day telling me what will happen, making me teasing my clit and pussy over and over.

I left Him dirty filthy emails. Then leaving dirty voice mails of me using my toy and begging to cum. But not being allowed too.

Views Read Edit New section View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. WikiProject Elvis Presley. This article is Album) the scope of WikiProject Elvis Presleya project which is They Dont Make Em Like My Daddy - Trilly* - Doin The Crawdad (Vinyl considered to be inactive. WikiProject Songs.

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Arena - Various - A History Of Unreal Music (CD)

Change language. Install Steam. Your Store Your Store. Categories Categories. Special Sections. Player Support. Community Hub. Unreal Tournament 3 Black. Epic Games, Inc. Recent Reviews:. All Reviews:. Popular user-defined tags for this product:. Is this game relevant to you? Sign In or Open in Steam. Languages :.

English and 4 more. View Steam Achievements Includes 57 Steam Achievements. Publisher: Epic Games, Inc. Share Embed. Read Critic Reviews. Add to Cart. Package info. View Community Hub. Also included Arena - Various - A History Of Unreal Music (CD) sweeping enhancements to AI, networking performance, UI usability and mod support, plus the addition of 57 Steam Achievements to make the UT3 experience even more satisfying.

Unreal Tournament 3 unleashes the full power of Unreal Engine 3, taking graphics, gameplay, and challenge to a whole new level. I'd been to see Garbage the night before and, believe me, Garbage are a loud band. Arena - Various - A History Of Unreal Music (CD) mean really loud. But the Corrs were louder. The Corrs are shadowed by some more disturbing pop precedents: the whole twisted history of the family-that-plays-together, from the Partridge Family to the Osmonds, from the Carpenters to the Jacksons and even the Gallaghers.

Here, we pop-watchers assume, lies dysfunction: dear dead Karen Carpenter, poor weird Michael Jackson, not to mention the spiralling, very public sibling rivalry that is the ongoing Noel and Liam show. What dark well of familial secrets lurks beneath that relentlessly happy-go-lucky, rinky-dinky, we-are-family professionalism?

It's no use asking the Corrs, I fear. They don't seem to fit into either camp. That said, there is an undeniable - there's no other word for it - niceness about them and their music. It is not tiresomely-wholesome Dana niceness, nor even smug Ronan-from-Boyzone niceness, both of which, you suspect, conceal a heart of steel and an ambition that began as over-vaulting and grew: Dana ran for president of Ireland, while Ronan recently admitted, without irony, that he might one day do the same.

It is, though, a peculiarly Irish niceness. A professional niceness that is eager to please, unremittingly polite, and practised with an unstated understanding that you are not just letting yourself down if you misbehave, but also your town, your country and, of course, your family.

These traditional values still hold fast in the new Ireland, much more so than they do in Blairite, post-Thatcher Britain. Why else does the Eurovision Song Contest remain such an obsession and a source of pride in Ireland whereas everywhere else it has long since passed into post-ironic campness?

Though the Corrs are part of the new, confident, supposedly European Ireland that grew up in tandem with U2's global ascendancy, they also straddle the enduring, traditional Ireland.

You could link their extraordinary global success to the post-Riverdance marketing of a kind of faux-Irish pop heritage, but their roots, musically at least, defy such a pat explanation.

They did not grow up playing Irish traditional music in sessions and festivals: they began life as a lates synthesiser-pop band, all four playing keyboards over programmed beats.

The Corrs may incorporate elements of Irish traditionalism into their set, but they do not play it with the conviction that attends their own sleekly modern take on traditional pop, which is where their strength and durability lies.

Their antecedents are Abba and the Carpenters, and even Blondie, not the angst merchants that I depend on to reflect and assuage my dark confusions. Not being a Corrs fan before meeting them, I listen to their entire recorded output, the way I would normally listen to a new Radiohead or Neil Young album. What I hear is crafted, somewhat airbrushed, melodic pop, which at times subtly utilises elements of Irish traditional playing.

I am not fired up by their songs but I am surprised more than once - mostly by the grain of Andrea Corr's voice, which was recently described by their current producer, the wonderfully named Mutt Lange, "as the best pop voice in the world right now". For me, it was more the undertow of plaintive sadness that surfaces from time to time, like a kink in a beautifully woven piece of fabric.

Listen to how she phrases the line "no more waiting, no more aching" on What Can I Do: that perfectly pitched pause before she lights on and stretches the last two syllables into a suggestion of pure regret. Then imagine what Burt Bacharach could do with a voice like that. In the flesh, as on stage and in camera, Andrea looks the sultriest Corr, even - especially - when, knees tucked under her chin, she starts to suck her thumb, lost in some private reverie.

She is the child of the family, the one who began singing with the band when she was still at school, the one whose flirtatious gaze has graced numerous magazine covers; she is the one whom the tabloids seek out, linking her to a succession of ever more unlikely young men, the most recent being Robbie Williams - "Do you think it's physically possible," she protests, "to go out with all those guys that the press have said?

Her favourite book is Dostoyevsky's Crime And Punishment: "I'm just drawn to the insight into the psychology of the mind, the conflicts about what's morally Arena - Various - A History Of Unreal Music (CD). It's the head stuff I like. Sharon, 28, the eldest sister, is altogether more poised, elegant even.

You can't imagine her sucking her thumb. Sharon plays the violin, is classically trained, and may succeed in making that unlikely pop instrument as sexy as the guitar.

Caroline, the middle sister, has been described as the tomboy of the group, perhaps because she is Arena - Various - A History Of Unreal Music (CD) drummer. Tomboy or not, she has that practical, no-nonsense approach characteristic of those who make their living hitting skins with sticks.

She wolfs down three bacon sandwiches before the photo-shoot. She seems bemused but unfazed by the turn her life has taken: "For a long time, I had no idea what we were doing," she laughs. Looking back, I still can't believe the cheek of us. Brother Jim seems more reserved than his sisters. In the words of a recent pop magazine profile, he exudes "the stoical air of a guy used to waiting his turn in the bathroom". He is, says Caroline, "the initiator", the Corr who kick-started this whole adventure, who galvanised his sisters into rehearsing long into the night while two of them were still at school studying for the Irish equivalent of A-levels.

Jim, you feel, is the most ambitious member of the Corrs, the one who always saw the bigger picture. In this game, you've got to be in people's faces. Which is exactly where the Corrs - these three implausibly photogenic girls-next-door and their unassuming but driven older brother - have been since the global crossover success of their second album, 's Talk On Corners.

If you are not familiar with the Corrs already, believe me, you soon will be. The new album, In Blue, their fourth in 10 years, will pitch them even higher into the pop stratosphere. It will be ubiquitous - on the radio, in wine bars, restaurants and shops, seeping into your head like a soft drug. Breathless, the first single from In Blue, has gone straight into the charts at number one. All the classic components of a Corrs hit song are present: a deceptively simple and catchy melody, a chorus that lodges itself in the listener's brain, a polished production that nestles somewhere between pure pop and soft rock, the whole overlaid with Andrea's sexy-angelic voice and her sisters' crystal-clear, soaring harmonies.

Breathless, like the hit singles that preceded it, most notably So Young and What Can I Do, is further evidence that the Corrs have hit on an aural signature, an immediately identifiable sound that has just enough space for melodic innovation each time it is unfurled anew. To really understand the Corr's success you have to put them in their context. In short, they play pop music that sounds the way pop used to sound, before drum machines and samplers, before the tidal wave of gormless boy bands and grinning girls groups, before mindless techno remixes and insipid cover versions became all the rage.

Apart from us, there wasn't a guitar or a drum or a keyboard in sight. It's sad, but the ability actually to play music has somehow taken second place. There is, then, something comfortably old-fashioned about the Corrs' music, and that something is central to their success. The members of Unreal City are an aural stream of consciousness that seeps, runs, finally rapidly bursts into brooks and silvery streams feeding a riotous river of red wine and honey.

Speaking of red wine music I'm tempted to splurge on a bottles of deep dry red vintage Italian vinos, when immersing myself into "Fammenti Notturni". Pardon my boldness but may I take the liberty to recommend 5 delicious Italian Vino Rossos corresponding to "Fammenti Notturni's" 5 compositions? My wife and other women friends find themselves swooning into Francesca's licks and Unreal City's melodic, hypnotic romanticism.

Not something you see often in prog circles. Don't be surprised if Unreal City continues to top themselves album after album after album. Essential addition to Italian Prog Collectors! But this time, the band have frequently given their music a heavier grunt as well as a wickedly addictive dirtier and more dangerous! But this time around, there's plenty of distortion and wilder noise throughout to a heavier guitar approach and jazzier touches, and guest violinist Matteo Bertani is given free reign to weave through the bluster and stormy attack with searing feeling.

The standouts are Dario Pessina's upfront thick bass bouncing with ferocious purpose around Marco's versatile and peppy drumming, Francesca Zanetta's maddening King Crimson-like guitar splinters and vocalist Emanuele Tarasconi's jagged piano stabbings, and his fuzzed-up noisy Fender Rhodes-like soloing in the climax gives the Italian Canterbury sound band The Winstons a run for their money!

Play this piece loud, and especially listen out for the deeply sexy distortion rumbles that start at about the mark! Francesca's guitars melt into erupting molten electric distortion and slick electric Arena - Various - A History Of Unreal Music (CD) glistenings have the piece taking on a seductive heavy groove early on, and Emanuele's charismatic voice purrs with charm and roars with chest-beating pride in the finale.

In it's upbeat jovial moments with rollicking synths and scratchy violin, the track actually almost embraces a fancier and whimsical quality that may remind some listeners of seminal Italian prog band Premiata Forneria Marconi PFM. It then proceeds to gently introduce spacey fizzing electronics and diverts into an aggressive solo spot in the middle highlighted by supremely dirty Hammond organ and grumbling bass, and the ringing guitar shimmers sound like they've wandered off a modern Marillion album.

Emanuele's weary voice moves between wounded romance and eerie treated moments, and the more slower-paced, restrained soloing from the whole band in the second half shows great poise and genuine emotion, making this finale come across as a very important piece in the continuing development of the group.

It's also admirable that the group, despite their much-loved status in the current Italian Prog community, have defiantly refused to not only streamline their music into overtly melodic and catchier shorter pieces to try and lure in more commercial audiences, but resisted the urge to sing in English, and if anything, this disc seems designed to appeal much more to long-term fans of the group than newcomers who might be better off checking out the previous two albums to start off with.

Five stars. Review by Warthur Prog Reviewer. This is amazing. Some cool instrumental work 4 minutes in including the bass work. The organ follows as it stays all instrumental. The vocals return briefly and we get lots of synths late. Higher pitched synths start to lead. The guitar replaces the synths before 2 minutes but the synths return followed by organ as the drums pound. A change before 3 minutes as it turns brighter and the vocals join in. Catchy stuff with Arena - Various - A History Of Unreal Music (CD) synths, piano and more.

Lots of piano during an instrumental break. Melancholic synths follow then vocal melodies replace the synths. So good! Love this stuff! Violin before 2 minutes then prominent bass before that AREA-like flavour returns. A calm with piano follows then it starts to build. Nice guitar here then another calm as themes are repeated.

Back to that more fuller sound and this is all so interesting the way it changes and developes. Piano only 3 minutes in as reserved vocals join in. An instrumental break with relaxed guitar follows. The vocals are back 5 12 minutes in. This is such an uplifting track. The bass is excellent then it settles back with piano and vocals. Mellotron before 2 minutes. The guitar follows as the vocals stop then it picks up with organ after 3 minutes.

The vocals are back then we get a calm after 5 minutes. Check out the organ before 6 minutes. I really like the melancholy to start in the form of keyboards and synths. It kicks in hard around 3 minutes and it sounds like clavinet before 4 minutes.

Great sound. Violin after 6 minutes followed by a calm as the vocals join in. Piano leads after 8 minutes as the vocals stop. The vocals are back quickly as the tempo picks up. Love the keyboards that join in here. Guitar as well as it turns powerful. The vocals are back before 12 minutes. Lots of synths too trading off with the vocals. A calm with piano after 13 minutes then mellotron a minute later followed by laid back guitar then synths.

The tempo continues to change then we get these theatrical spoken words. The vocals late sound incredible. A must for RPI fans out there and thank God for these talented young Italian bands making the kind of music that the seventies RPI bands would be proud of. Old is blending with new in a beautiful musical landscape. I hear symphonic, neo prog, Canterbury, space rock, some Pink Floyd guitar solos, some Genesis moments combined with new prog rock sounds.

Just beautiful! Love it! The music is very complex with many rhythm and tempo changes and you hear this from the very beginning. I'm amazed that one song can contain so many beautiful ideas.

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I. Adagio sostenuto. Presto. - Beethoven*, The Royal Philharmonic Orchestra - Beethoven (SACD, Album)

Chandos Records is one of the world's premier classical music record companies, best known for its ground breaking search for neglected musical gems.

The company has pioneered the idea of the 'series' and proudly includes series of such Album) as Prokofiev, Tchaikovsky, Parry, Walton, Grainger, Berkeley and Bridge.

Renowned for its superb sound quality, Chandos has won many prestigious awards for its natural sound. Item added to order. My The Royal Philharmonic Orchestra - Beethoven (SACD List Manage wish list. Solo: Rene Leibowitz Conductor.

Orchestra: Royal Philharmonic Orchestra Orchestra. Conductor: Rene Leibowitz Conductor. Why not buy the whole Album? Your selections total more The Royal Philharmonic Orchestra - Beethoven (SACD the whole disc price. Finale: Allegro molto. Poco andante. Allegro vivace 2] II. Adagio 3] III. Menuetto: Allegro vivace 4] IV. Andante con moto 7] III. Allegro 8] IV. Szene am Bach 3] III.

Lustiges Zusammensein der Landleute 4] IV. Gewitter, Sturm 5] V. This work, a series of variations on the Gregorian Dies irae, achieves its percussive effects on its own with little help needed from the pianist, and I.

Adagio sostenuto. Presto. - Beethoven* her own Album) a splendid reading. The Fantasy on Hungarian Folk Tunes, that originally featured conductor Hans von Bulow as the pianist at the premiere, is one of two arrangements The Royal Philharmonic Orchestra - Beethoven (SACD made of his Hungarian Rhapsody No. It is an enthusiastic and fun piece of work taken for what it is — an audience-pleaser and rousing work of great invention.

Adagio con molta espressione 9. Presto Allegro molto Sonata No. Allegro Adagio molto espressivo Scherzo: Allegro molto Rondo: Allegro ma non troppo Sonata No. Allegro con brio

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Past Reflections Crown of Nails The Curse of Orlac Rise to the Light Dissension Beyond the Unknown Sovereign All of Ladytron 's discography has various degrees of brickwalling, but Velocifero is the worst of the bunch. Notably, even albums like that were recorded in the pre-loudness war era are still incredibly loud. Juno Reactor 's Gods and Monsters and The Golden Sun of the Great Eastalthough sporting above-average for today dynamic range, have a sizable amount of clipping.

This made for a really harsh contrast with the comparatively more dynamic and pleasantly mastered Discovery. Awolnation 's Megalithic Symphony. Even though the interlude tracks sound lo-fi, they have better mastering than the rest of the songs on the album. Skyla Vertex's Blut EP. Dead Can Dance 's Anastasis. Kavinsky 's debut album, Outrunis extremely, extremely compressed. This is probably intentional, considering his fondness for cars, and the fact that a song on this very album was used as the theme song to a film about themmaking the album perfect for car speakers.

Vicious Pink's self-titled album became a casualty with its remaster. Every Basshunter album since Now You're Gone is an offender. Calling Time is especially heavily clipped. The entirety of the Toho Eurobeat series is guilty to some extent, but Vol.

All of the songs on these two are sheer brick walls with near-zero dynamic range and constant audible clipping. Even the songs by Odyssey, who normally avoids this trope, as mentioned on the "Aversions" page. Holy Ghost! The mastering engineers definitely screwed up here. Luckily, their second album, appropriately titled Dynamicsavoided this. All of The Crystal Method's albums since Tweekend have suffered. Teddyloid's song "Me!

Nostromosis's Dawn of the Planet Earth is one of the worst mastered goa trance albums, with all of the track waveforms being solid red rectangles in Audacity when "Show Clipping" is enabled. The waveform looks like a square. Electric Youth's Memory Emotionwhile far from the worst in terms of dynamics, has ridiculously heavy clipping of the percussion on most of its tracks. Their debut, Innerworldwas also quite loud at DR 6, though not nearly as clipped.

NINA's sophomore album, Synthianis horribly maimed by audible clipping on most tracks, with the odd exceptions of the title track, "Automatic Call", and "Never Enough". Whoever mastered this has a few lessons to learn about dynamic range. Especially tragic considering that her debut album, Sleepwalkinghad nearly flawless dynamics.

Zigzagged with her Control EP, where the Title Track is brickwalled and has heavily clipped drums perhaps for stylistic reasonsbut the others avert this trope. LAU's solo debut, Believerreleased on the same label, suffers similarly. The first two singles, "Stunning" and "We Had Magic", have reasonable dynamics, but the rest of the tracks have atrocious clipping, which screams straight-up mastering laziness.

All of Scandroid 's material, at least in digital format, is near-solidly brickwalled and continuously clipped, on par with fellow darksynth artists Perturbator and Carpenter Brut. Klayton's main project, Celldweller, similarly exhibits Death Magnetic -caliber overcompression, especially the three most recent albums. Lazerhawk's second album, Visitorsis by far his worst casualty, with the loudest track, "Shoulder of Orion", having a DR approaching 3 and clipping everywhere.

His first album, Redlinewas also mastered loud, but still had some semblance of dynamics and wasn't clipped. Some tunes, such as "Saw You Standing There" and "Wish Upon a Star", are compressed but have acceptable dynamics, while others, such as "Tokyo", "Holiday", and "Cheerleaders", are crushed and clipped to the point of unlistenability.

Against All Logic's two albums are both a DR4, which is a shame since the production is otherwise incredible. It's quite baffling considering that Nicolas Jaar's albums under his own name generally avert the loudness war. Most of the tracks on Michael Oakley's Odyssey have at least passable dynamic range, but "Is There Anybody Out There" is almost completely brickwalled and continuously clipped, apart from the intro and ending.

Paul Simon 's Graceland was remastered and re-released in and has extremely noticeable clipping, especially on "You Can Call Me Al". Despite the fact that Bob Dylan harshly criticized this entire trope famously declaring, "You listen to these modern records, they're atrocious, they have sound all over them. There's no definition of nothing, no vocal, no nothing, just like Luckily enough, they were also released on vinyl, which just seems to confirm that it was the record label's fault, not his.

His album Rough and Rowdy Ways sounds fantastic, with an absolutely outstanding average dynamic range of Most Lenny Kravitz albums are pretty bad in this regard, but Baptism in particular sticks out.

Singles like "Where Are We Running? Insult to injury on such a depressing album. The Darkness ' Permission to Land ; not that this is surprising, or entirely inappropriate. ZZ Top 's Mescalero. The limited-edition vinyl has a DR of 9, loud by vinyl standards, but still better than the CD. Fortunately, the follow-up, Darkest Hourbacked off on this trend, although it still has some clipping, which may be intentional. Pressure and Time by the Rival Sons is so badly mastered, you can easily hear the clipping right from the beginning of the first song.

Not even "No Quarter" is free of this with audible clipping during the piano solo. The worst offender on that CD is probably "Achilles' Last Stand"; the whole track is horribly brickwalled. The Strokes ' Room on Fire is especially daunting since Is This It was widely considered a breath of fresh air from this. The Killers ' Day and Age.

Horrible clipping and compression. See also: their first and second albums, so it's not really surprising that their third one should follow this trend. Day and Age is actually slightly less loud than the other two albums according to ReplayGainbut it sounds much more distorted especially the drums on "Spaceman".

It might very well be that this was what they were going for you never know with Brandon Flowers Her self-titled first album is also terribly mastered. Passion Pit 's Gossamer is crushed to a dynamic range between 4 and 6, which is a major shame, considering that their first album, Mannershad a stellar DR of The re-release of both of Razorcuts's albums, Storyteller and The World Keeps Turningboth have awful remastering. They're also '80s jangle pop albums too, so there's absolutely no excuse for the louder-than-usual sound.

The remasters of Felt's discography has also been criticized for brickwalling the album's sounds as opposed to keeping their dynamic, atmospheric and dreamy quality.

Many Industrial artists have become casualties or combatants of the loudness war as of late, especially Front Line Assembly 's Artificial Soldier and most of the remix album FalloutDecoded Feedback's Combustion and Aftermathand everything by Funker Vogt since Most of the remasters of their earlier albums also got brickwalled. They had this trend going as far back as with Nihilalthough that wasn't quite as brickwalled as their contemporary material.

Nine Inch Nails examples: The Downward Spiralalso released inhas the same deal as Dawn - IV Noise - We Wait For The Sun (File Copper - overall there is a lot of dynamic range, but the loudest portions of the album are brickwalled and clipped.

This would continue with most of Nine Inch Nails ' releases throughout The '90s and in fact, dates all the way back to their EP Broken. However, knowing Reznor's perfectionistic tendencies, it's quite likely that he intended the clipped parts to sound exceptionally distorted, so your mileage may vary as to whether this counts as a straight example of this trope or whether it's a subversion.

Guess those dastardly mid-'90s standards wouldn't let Trent realize his "true vision". Which is a shame, because almost everything else about the vinyl of The Fragile was pristine. Hesitation Marks comes with a download code for an "audiophile master" version, which was supposed to have greater dynamic range than the standard version's DR5. The audiophile master measures an incredible DR6. Reznor claims it has more bass, which it does, but he also makes it sound as if it forsakes the quest for loudness entirely, which it definitely doesn't.

For a long, balanced look at the differences between the two masters, watch this. The European vinyl version, however, which was cut from an alternate version of the audiophile master, does reach DR Ayria 's Hearts for Bullets. Synthesis by The Break Up, a Seattle darkwave outfit, appears to intentionally use compression for a gritty vibe, but many of the songs overdid it, resulting in unlistenable solid brick walls for waveforms.

Especially "Who's Crying Now" with its shrill overdriven synth lead, and "Trapeze". This is still an improvement over their self-titled first album, which was both brickwalled to death except for "Tread Softly and had audible clipping in many places.

Cut and Coil by Cylab, an industrial group also featuring Severina X Sol, was compressed near par with Synthesisagain possibly intentionally. Skinny Puppy 's Too Dark Park yes, the original, not a remasteralthough dynamic by today's standards, was heavily compressed forwith a DR of 8, the same as their contemporary albums TGWOTR and Mythmaker and lower than the remaster of Rabies. However, their modern albums are pretty dynamic for industrial music, although that's mostly because industrial music as a whole has gotten so much less dynamic in the intervening two decades.

While Jazz wasn't too much affected by the Loudness War as a whole, there are a few notable victims, particularly the remaster of On the Corner by Miles Davis : it's not really brickwalled, but it's still very compressed for a jazz well, jazz-rock album, and the loudest parts are badly clipped. Fucking hell. Modern death metal has a serious problem with this in general, but Hour of Penance's releases have been ridiculous even by those standards. While all of their Unique Leader releases have had major issues with this, Sedition takes this to truly extraordinary levels.

The loudest track is at This is not unique to HoP, either; the album's producer, Stefano Morabito, does this shit all the time and is arguably even worse than Jason Suecof or Erik Rutan, two other very major offenders in the death metal loudness wars. Ozzy Osbourne 's album Ordinary Man clocks in at a pitiful DR3, with all the clipping and compression you'd expect from a value that low.

Metallica 's album Death Magnetic is so distorted and clipped that even mastering engineer Ted Jensen note A man who has has brickwalled his fair share of albums in the past has criticized it, adding that he couldn't do anything since the preliminary mixes came in already "brick-walled". Interestingly, the version made for Guitar Hero 3 was based on a "rough mix" that features far more range, and those tracks have been subsequently ripped and distributed via peer-to-peer services.

To sum up: Metallica, the anti-Napster poster boys, now have an album that can only be truly appreciated via piracy, and a video game featuring a guitar with 5 buttons on the fret-board is the best way to enjoy an album The Guitar Hero 3 version is definitely the only way to go. The album was remastered inand it's a substantial improvement.

The new score is DR7, which isn't greatbut is a hell of a lot better than the original's DR3, and more importantly, it is nowhere near as badly clipped as the original it's still slightly clipped, but honestly, unless you're listening on studio monitors, it isn't even noticeable. This is probably how the album was intended to sound in the first place. Unlike Death Magneticit has yet to be remastered though hopefully, it will be soon.

Considering it was produced by Rick Rubin, it's probably not too surprising that Black Sabbath was a casualty of this trope with their reunion album This is especially disappointing given how meticulously produced Soundgarden and Rage's material had been the posthumously released Renegadesmentioned further below, is an exception, which shouldn't be surprising since it was also produced by Rubin.

Hypnotize was definitely the worst of them; the guitar solo during "Lonely Day" has very noticeable clipping, even on poor speakers. Rick Rubin of Death Magnetic infamy would seem to be a likely culprit until one notes that he produced all of their albums starting to notice a pattern with Rubin productions here? Maybe he just stopped caring around or so. Given the nature of the band's musicit does kind of Come With the Territory.

Steal This Album! Slipknot 's Vol. Not only is it pushed to the limit of modern-day loudness, it doesn't even peak. And I'm not just talking about below-zero flat-lining or extreme soft-clipping here either.

I'm talking about rampant straight diagonal lines, suggesting that the mix was even worse than usual in the maxed-out clipping department, and the mastering engineer had to turn it down post-processing, just to meet today's ridiculous standards. And guess who was behind the production helm? That's right, Rick friggin' Rubin. Anything after Demanufacturereally and even that album could get rather clippy at points.

Case in point: "Shock" starts up with a blast of distortion that clearly should not be there. Their first album, Soul of a New Machineis an aversion, scoring an average DR10 despite a production which would sound really dated nowadays. Edguys album Tinnitus Sanctus gets this one badly. Iron Maiden seems to be suffering from this the video's author is shocked to see how balanced is the mastering of their recent song "Different World"!

This happened to the and reissues of Powerslavetoo. It sounds rather muffled, and the vocals are now too loud compared to the drums. Ditto for most of their other reissues, eg The Number of the Beast. Frankly, both albums are among the best-sounding of Iron Maiden's career. Mystery elucidated: A Matter of Life and Death producer Kevin Shirley mentioned in a message Dawn - IV Noise - We Wait For The Sun (File post that Steve Harris specifically decided not to master the album to keep the "live" sound.

The vinyl masters are also clipped, though they come out having more dynamic range due to the nature of the format. The most dynamic master is the version available on iTunes, which is DR9 and slightly less clipped. Judas Priest 's remasters are also pretty bad. And with the newer special editions, it goes From Bad to Worse.

Lacuna Coil 's Karmacode. It's a particularly egregious offender given that their earlier albums were characterized by dynamics that you could practically breathe in. Rage Against the Machine 's final album Renegades suffers from this, most likely due to the fact that A the band had already split up, B it's a collection of covers that aren't all from the same recording session, and C Rick Rubin "produced" it. Interestingly, the track "The Ghost of Tom Joad" appears here in only slightly altered form from its previous release on a Brendan O'Brien-produced single, and the difference is quite evident when it's played directly opposite audio sludge like "How I Could Just Kill a Man".

The trope had started to creep in somewhat to their previous album The Battle of Los Angeles as well, and to an even lesser extent to Evil Empirebut neither of them is anywhere near as bad. Dismember 's "Pieces" EP has an album gain sitting at This was released in Bleeding Through's Declaration is so badly compressed that the kick drums drown out everything else whenever they're played. Which happens a lot. It can be a painful listen, even though the production isn't that bad, other than the godawful compression.

The strangest thing about all this? The producer wasn't some unknown, it was done by Devin Townsend of all people. Have a listen. Ignoring the kick drowning things out for a moment, there's also some serious unintended distortion going on at places. In addition to the above example, Beneath The Grey's first verse opens with a lovely blast of noise. DragonForce are loudness war criminals overall, but Sonic Firestormparticularly the reissue, is brickwalled to the point of being unlistenable. The vinyl release of Ultra Beatdown seems to be mastered a little more responsibly, however.

If we're talking original releases, Valley of the Damned was significantly more guilty of this, with the following two being surprisingly reasonable in this regard, especially compared to their genre peers. In fact, Sonic Firestorm is probably one of the best-produced and best-mastered songs of the decade. That said, Inhuman Rampage is easily the worst-sounding of the three for completely different reasons fatigue-inducing overproduction and searingly harsh upper-midrange dominant EQ, just to name a couple.

Blackguard's major-label debut, Profugus Mortiswas pretty badly compressed to nobody's surprise in particular. But the follow-up, Firefighthas extremely conspicuous compression and clipping.

The parts that clip are in red. The drums are mixed loudand they'll clip even during the passages with clean guitars. Turn on the distortion, and you get a sea of red. Bad mastering must be a trend in djent then again, a lot of djent is self-producedbecause Periphery 's self-titled debut long-play record has the same and extremely audible clipping issues.

The flat parts are clipping. What the hell, Bulb? Surprisingly, their album Anthems of Rebellion averted this trope somewhat, a daring move for the time let alone now. Alice in Chains ' post-reunion albums have been hit hard by the loudness war. Somewhat justified in Black Gives Way To Blue 's case, in that the album was also released in vinyl format, which requires the maximum volume level just to be half as loud as the CD. Unfortunately, the vinyl is also pretty clipped.

If it's any indication, the Loudness War was already affecting them as early as when Dirt was released: it's still nowhere near as bad as the examples in this page, but it's heavily compressed by Album). Black Metal band The Axis of Perdition 's early releases were horribly clipped.

According to Audition, Fortunately, this tendency of theirs has abated with each subsequent release, to the point where their most recent releases Urfe and Tenements of the Anointed Flesh are aversions of this trope - both of these are mixed extremely quietly for black metal albums although there are also extended ambient passages on these recordingscoming in at around DR According to the band, the clipping on their early albums was apparently because they didn't know much about mastering at the time, though it is particularly strange that their second full-length album has clipping at odd amplitudes like -6 dB, depending on the track.

Ildjarn made extreme compression an essential element of his style, except in his ambient works. Averted with side project Sort Vokter, whose sole album comes in at DR Certain Type O Negative albums, such as October Rustare similar to Throwing Copper and The Downward Spiral in this regard; they have decent dynamic range, but the louder peaks are clipped.

Mastodon 's The Hunter is brickwalled to the point of being headache-inducing on low mid- to high-end speakers; even the LP suffers from this. All Album) Mastodon's work, really, although it got a lot worse when they moved to a major label; the stuff before that was just brickwalled, but starting with Blood Mountain they were also clipped sadly, their last release on Relapse, Call of the Mastodonalso got hit heavily with clipping.

Progressive Black Metal band Enslaved have this problem on nearly every CD they've released, with most of them being audibly clipped, although there are still dynamics on some tracks on most of the recent ones.

The recent vinyl releases of Riitiir and In Times avert this, being separately and sensibly mastered. Many of their older albums still have clipped LP masters, unfortunately, as there are several passages with obvious clipping on albums like Isa and Vertebrae although these versions still frequently have dramatically higher dynamic range scores than the CD versions - we're talking a five- or six-decibel difference here. Most of the albums from Alaska onwards still have some passages with dynamics, but when they get loud, boy do they get loud.

Atheist 's Jupiter. While the band's s and s stuff are mastered at reasonable levels, Jupiter is egregiously loud; while Jason Suecof, who produced it, is notorious for this in general, this is a special case. Word on the street was that he was going for a "raw" production, but his idea of a "raw" production involved horribly inconsistent instrument levels that varied from song to song, leading to such wonderful things as the rhythm guitar track almost completely drowning out the lead.

To add insult to injury, the bass, one of the chief elements of Atheist's sound, was almost completely inaudible. Oh, and the whole thing was brickwalled to Death Magnetic levels.

Jupiter as a whole was fairly divisive, but one thing that everyone agreed on was that the production was inexcusably awful. It would probably be simpler to list the Death Metal and Grindcore releases from the last ten to twenty years that aren't plagued by this trope than the ones that are.

They're almost all brickwalled, and unfortunately, they're also almost all clipped. Vital Remains ' album Dechristianize is unsurprisingly quite loud given that it's a 21st-century Death Metal album, and because of that a bit of clipping would go generally unnoticed underneath all the noise. Unfortunately, not only is it tracked at a ridiculous level The guitars themselves are compressed to hell and back even distorted guitars have some dynamics, but these have all of them stripped away and, when they are playing by themselves, peak as if the rest of the band were playing, who ducks the guitars when they begin playing, who are then ducked and unducked whenever Glen Benton gets on and off the mic.

The overall volume almost never changes; any time an instrument stops playing, the other instruments are turned back up to compensate and vice versa. It literally sounds like you are listening to a commercial radio station and Glen Benton is the announcer. The whole album is an exhausting, noise-ridden, pumping and breathing experience, and [insert God replacement here] help you if you can make it through all 60 minutes. While Immolation is already mentioned above as a "repeat offender" of the Death Metal loudness wars, 's Kingdom of Conspiracy deserves its own entry.

Practically the whole album is pegged at a Death Magnetic -esque DR3 one track logs a hardly more acceptable DR4pretty much everything in the mid or high frequencies is blatantly clipped, especially the cymbals and the guitars are so badly compressed as to render many of the riffs indistinguishable from one another, while being mixed so loud as to drown out the bass altogether. Oh yeah, and it ducks and unducks in a fashion similar to Vital Remains' Dechristianize.

If there was any doubt about producer Paul Orofino's note Orofino's worked on all the band's releases since 's Failures for Gods ; not coincidentally, that album started their reign of loudness, coming in at DR6, while its predecessor Here in After came in at DR10 place at the bleeding, ear-splitting edge of the loudness wars before this, it's been put to rest now.

Mastering-wise, it wasn't disastrous we are talking some pretty intense, thrashy Progressive Metalcore here but still pretty over-the-top However, when the band signed to Solid State Recordsthey decided to give it an extra "push" for the CD release. At Sadly, their full-length follow-up Captors has done little to remedy this, although that's nowhere near the biggest problem with that album. All of Dir en grey 's output fits this trope Some tracks come in at DR0.

Others still have a fair amount of dynamic range left, but they're still clipped. His '90s stuff is mastered reasonably but ever since he got out of prison he's been brickwalling all of his metal albums to death, even Fallenwhich he claimed was going to be mastered "as if it was classical music" it's actually more clipped than the album that preceded it.

Most tracks are DR4 and clipping is very audible throughout. In an interesting turn of events, the album's mastering engineer Zack Ohren joined in a discussion following a review of the album that was very critical of the production and even linked to an audio track combining volume matched samples from an alternate quieter master and the release master for comparison. Judging by documented conversations that fans have had with the band, they've acknowledged their role in it as well and admitted to wanting a bombastic, "larger-than-life" production, but realized that they went way too Dawn - IV Noise - We Wait For The Sun (File in that direction.

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Get out. Kanye West and Wyclef Jean use their given name to record their music, but most rappers use a stage name. Some rappers use nicknames that they have had their whole life, while other MCs create an entirely new persona and give themselves unique rapper names. Some rappers have even changed their name multiple times. Who is the most famous rapper that uses a stage name?

Jay Z has to be at the top of the list. He has had such hit songs as "Empire State of Mind" and "99 Problems. He has released such songs as "In da Club" and "Candy Shop. A couple of famous rappers have gone by multiple stage names. Diddy was born Sean Combs on November 4, Would you use a stage name if you were a rapper?

Video: YouTube. Curtis James Jackson III born July 6,known professionally as 50 Cent, is an American rapper, singer, songwriter, actor, television producer, entrepreneur and investor. Born in the South Jamaica neighborhood of the borough of Queens, Jackson began selling drugs at age twelve during the s crack epidemic. He later began pursuing a musical career and in he produced Power of the Dollar for Columbia Records, but days before the planned release he was shot and the album was never released.

InAlbum) Jackson released the compilation album Guess Who's Back? Dre's Aftermath Entertainment and He is consistently cited as one of the greatest and most influential rappers of all time and was labeled the "King of Hip Hop" by Rolling Stone magazine. In addition to his solo career, Eminem was a member of the hip hop group D He is also known for his collaborations with fellow Detroit-based rapper Royce da 5'9"; the two are collectively known as Bad Meets Evil.

Dre's Aftermath Calvin Cordozar Broadus Jr. His music career began in when he was discovered by Dr. He has since sold over 23 million albums in the United States and 35 million albums worldwide. Snoop's debut album, Doggystyle, produced by Dr. Dre, was released in by Death Row Records. Dwayne Michael Carter Jr. His career began inat the age of 12, when he was discovered by Birdman and joined Cash Money Records as the youngest member of the label, and half of the duo The B.

The group became popular following the release of the platinum-selling album Guerrilla Warfare Considered among the best rappers of all time, he is regarded as one of the world's most significant cultural icons and has been a global figure in popular culture for over two decades.

Born and raised in New York City, Jay-Z first began his musical career after founding the record label Roc-A-Fella Records inand subsequently released his debut studio album Reasonable Doubt in The album was released to widespread critical success, and solidified his standing in the music industry.

He has gone onto release Rev Run Born Joseph Simmons. Run or DJ Run, is a musician, rapper and actor. Simmons is one of the founding members of the influential hip hop group Run—D. He is also a practicing minister, known as Reverend Run. Dre Born Andre Romelle Young. Andre Romelle Young born February 18,known professionally as Dr. Dre, is an American rapper, record producer and entrepreneur. Dre began his career as a member of the World Class Wreckin' Cru and found fame with the influential gangsta rap group N.

A, which popularized explicit lyrics in rap to detail the violence of street life. He is credited as a key figure in the crafting and popularization of West Coast G-funk, a Album) hop subgenre characterized as synthesizer-based with slow, heavy beats. As ofhe is the third richest figure in hip hop, with a His work in the duo has produced six studio albums.

He released his second studio album, Vicious Lies and Dangerous Rumors in Boomiverse, his third studio Album), was released in June He is a founding member of the hip hop group Run—D. Adam Nathaniel Yauch pronounced ; August 5, — May 4, was an American rapper and filmmaker who was a founding member of the hip hop group Beastie Boys.

He used the stage name MCA. Yauch founded Oscilloscope Laboratories, an independent film production and distribution company based in New York City. As a Buddhist, he was involved in the Tibetan independence movement and organized the Tibetan Freedom Concert.

He died in from parotid cancer Ludacris Born Christopher Brian Bridges. Christopher Brian Bridges born September 11,known professionally as Ludacrisis an American rapper and actor. Ludacris is the founder of Disturbing tha Peace. Born in Champaign, Illinois, Ludacris moved to Atlanta at age nine, where he began rapping. After a brief stint as a DJ, he released his first Percy Robert Miller born April 29,also known by his stage name Master P, is an American rapper, actor, businessman, record producer, philanthropist, and former basketball player.

He is the founder and CEO of P. Miller Enterprises and Better Black Television, which was a short-lived online television network. Miller initially In addition to music and acting, Benjamin has also been an entrepreneur. In the spring ofhe launched a clothing line called Benjamin Bixby. He has also been an advocate for animal rights. He is also known for his work on the Cartoon Network animated series Class Birdman Born Bryan Williams. Bryan Christopher Williams born Bryan Christopher Brooks; February 15,known by his stage name Birdman also known as Babyis an American rapper, record executive and entrepreneur.

He is the co-founder and public face of Cash Money Records which he founded with his older brother Ronald "Slim" Williams in Birdman released his eponymous debut album inand has gone on to release four solo studio albums in total. Aside from his solo career, he is also a member of the hip-hop duo Big Tymers, along with producer Mannie Fresh.

Along with his solo work and numerous releases with the Big Tymers, Birdman has released a collaboration album and numerous tracks with fellow rapper His breakout single "Low" was number one for 10 weeks in the United States and broke the record for digital download sales at the time of its release.

The album was succeeded by R. Flo Rida has sold over 80 million records worldwide, making him one of the best-selling music artists. His catalog Ice-T Born Tracy Marrow. Tracy Lauren Marrow born February 16,better known by his stage name Ice-T, is an American musician, rapper, songwriter, actor, record producer, and author.

He began his career as an underground rapper in the s and was signed to Sire Records inwhen he released his debut Break The Bank - Schoolboy Q - Oxymoron (CD Rhyme Pays; the second hip-hop album to carry an explicit content sticker after Slick Rick's La Di Da Di.

He also released several other albums that went Gold. He co-founded the He is best known as a member of the hip hop group the Beastie Boys. He is married to musician and feminist activist Kathleen Hanna. Diddy Born Sean John Combs. Diddy, Puffy or Diddy, is an American rapper, singer, songwriter, record producer, record executive, actor and entrepreneur. He worked as a talent director at Uptown Records before founding his own record label, Bad Boy Entertainment, in Combs' debut album, No Way Out has been certified seven times platinum.

InCombs formed the musical group Dirty Money duo and released the critically Aliaune Damala Badara Akon Thiam ; born April 16, is an American singer, songwriter, record producer, entrepreneur, philanthropist and actor.

He rose to prominence in following the release of "Locked Up", the first single from his debut album, Trouble. The labels served as a stepping stone for many soon-to-be successful acts, such as Lady Gaga, T-Pain, R.

Ross released his debut album Port of Miami through the label later that year, debuting at the top spot on the U. Billboard album chart, with sales ofunits during the first week.

Ross released his second studio album, Trilla inonce again debuting atop the Billboard Rick Ross The Notorious B. Born Christopher George Latore Wallace. He is widely considered to be one of the greatest rappers of all time. Wallace was born and raised in the Brooklyn borough of New York City. His debut album Ready to Die made him a central figure in East Coast hip hop and increased New York City's visibility in the genre at a time when West Coast hip hop dominated the mainstream. The following year, he led Junior M.

Inwhile recording his second album, Wallace was heavily involved in the growing Timbaland Born Timothy Zachery Mosley. Timothy Zachary Mosley born March 10,known professionally as Timbaland, is an American record producer, rapper, singer, songwriter and DJ. Timbaland's first full credit production work was in on Ginuwine As a rapper he initially released several albums with fellow rapper Magoo, followed by his debut solo album Tim's Bio in William Adams born March 15,known professionally as will.

As a solo artist, will. His second solo outing, Must B 21, was released on September 23, The track "Go! The third album, Songs About Girls, was released on September 25, He released his fourth studio album, Born Clifford Joseph Harris, Jr. Clifford Joseph Harris Jr. Harris signed his first major-label record deal in with Arista subsidiary LaFace. Upon being released from Arista, Harris signed to Atlantic and subsequently became the co-chief executive officer CEO of his own label imprint, Grand Hustle Records, which he launched in Harris is also known as one of the artists who popularized the hip hop subgenre trap music, along William Jonathan Drayton Jr.

He is also known for popularizing the role of the hype man and for yelling "Yeah, boyeee! Onika Tanya Maraj born December 8,known professionally as Nicki Minajis a Trinidad and Tobago-born rapper, singer, songwriter, actress, and model. Her second album, Pink Friday: Roman Reloaded, was released in Redman Born Reginald "Reggie" Noble.

Reginald Noble born April 17,better known by his stage name Redman, is an American rapper, DJ, record producer, and actor. He rose to fame in the early s as an artist on the Def Jam label. He was also a member of the Def Squad in the late s Faheem Rasheed Najm born September 30,better known by his stage name T-Pain, is an American rapper, singer, songwriter and record producer.

His debut album, Rappa Ternt Sanga, was released in His third album, Thr33 Ringz, was released in T-Pain is the founder of the record label Jayceon Terrell Taylor born November 29,better known by his stage name The Game or simply Gameis an American rapper, songwriter, record producer and actor.

He is best known as a rapper in the West Coast hip hop scene and for being one of Dr. Dre's signees under Aftermath. Dre's Aftermath label. He rose to fame in with the success of his major-label debut album The Documentary and found continued success with the follow-up Doctor's Advocate. Lonnie Corant Jaman Shuka Rashid Lynn born March 13,better known by his stage name Common formerly Common Senseis an American rapper, actor, writer, philanthropist, and activist.

Common debuted in with the album Can I Borrow a Dollar? Common's first major-label album Like Water for Chocolate received commercial success. Cameron Jibril Thomaz born September 8,known professionally as Wiz Khalifa, is an American rapper, singer, songwriter and actor.

He released his debut album, Show and Prove, inand signed to Warner Bros. Records in His Eurodance-influenced single, "Say Yeah", received urban radio airplay, charting on the Rhythmic Top 40 and Hot Rap Tracks charts inbecoming his first minor hit.

Khalifa parted with Warner Bros. Archived from the original on October 25, Retrieved September 17, March 25, Retrieved March 25, March 26, March 27, Retrieved March 29, Archived from the original on July 15, Achieve by Break The Bank - Schoolboy Q - Oxymoron (CD DZA".

April 11, April 15, April 19, April 18, Archived from the original on October 28, Retrieved December 11, Retrieved July 11, April 20, April 22, April 28, April 29, Retrieved July 8, May 5, May 6, Retrieved Archived from the original on November 24, Archived from the original on July 1, May 9, Archived from the original on April 25, May 19, May 27, June 3, Archived from the original on July 27, June 9, June 10, CD Ka".

Archived from the original on July 14, June 15, June 17, June 24, Archived from the original on June 26, June 30, July 1, July 3, July 4, Album) Archived from the original on July 6, Archived from the original on December 21, July 23, Archived from the original on August 19, Guwop by Gucci Mane".

Retrieved August 22, August 23, B 2 by Maino". Retrieved November 25, Archived from the original on January 11, Retrieved 16 December Retrieved January 3, SMH Records. Archived from the original on December 25, Google Play. Retrieved January 1, Cole, Eminem, PRhyme". Retrieved December 17, Cole, D'Angelo". Archived from the original on December 26, Archived from the original on March 13, Prometheus Global Media.

Retrieved March 5, Archived from the original on May 4, April 30, Archived from the original on August 29, Cole Earns Third No. December 17, Retrieved October 11, Retrieved May 21, CBS Interactive. Retrieved September 1, Retrieved December 6, December 9, Retrieved June 7, February 22, Retrieved December 31, July 28, October 17, Retrieved July 9, Retrieved November 27, List of years in hip hop music.

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Add links. List of albums released. FishgangTakaba [56]. Duncwills Entertainment [57]. Debuted at No. Live Up Records [61]. Rhymesayers Entertainment [63]. Empire Distribution, Fresh in the Flesh [65]. Taylor Gang RecordsAtlantic Records [66]. Top Dawg Entertainment [67].

Galapagos4 [68]. Reach Records [69]. Fox News Latino. Archived from the original on December 16, May 10, May 13, May 18, May 16, Archived from the original on May 13, May 28, Vernon Coleman June 1, June 7, The Grand Report. Retrieved December 28, B Explains". Archived from the original on June 13, Dre Tweets N. July 5, July 26, MTV News. They tried to kill me.

New York Post. Archived from the original on December 6, Archived from the original on December 17, January 2, Retrieved February 15, January 7, January 14, Retrieved July 14, January 21, Retrieved July 18, January 28, January 31, February 4, February 11, February 18, Archived from the original on June 16, February 23, February 25, February 28, March 3, Retrieved July 1, March 4, Retrieved June 22, March 11, March 14, March 18, National Mirror.

Archived from the original on October 25, Retrieved September 17, March 25, Retrieved March 25, March 26, March 27, Retrieved March 29, Archived from the original on July 15, Achieve by Smoke DZA".

April 11, April 15, April 19, April 18, Archived from the original on October 28, Retrieved December 11, Retrieved July 11, April 20, April 22, April 28, April 29, Retrieved July 8, May 5, May 6, Retrieved Archived from the original on November 24, Archived from the original on July 1, May 9, Archived from the original on April 25, May 19, May 27, June 3, Archived from the original on July 27, June 9, June 10, CD Ka".

Archived from the original on July 14, June 15, June 17, June 24, Archived from the original on June 26, June 30, July 1, July 3, July 4, Archived from the original on July 6, Archived from the original on December 21, July 23, Archived from the original on August 19, Guwop by Gucci Mane".

Retrieved August 22, August 23, B 2 by Maino". Retrieved November 25, Archived from the original on January 11, Retrieved 16 December Retrieved January 3, SMH Records.

Archived from the original on December 25, For single expats in Germany, dating is even harder. Online Dating. In a perfect world, you and your soulmate would bump into each other on the streets of Germany, lock eyes, and fall madly in love the next second.

Dating Profile. Is online dating easier for single female expats in Germany than for their male counterparts? Dating Tips.

Menuett I Ess Dur - Birger Lundbys Ensemble - Hedemarksmusikk (Vinyl, LP, Album), Ive Got You Under My Skin - Frank Sinatra - My Way (The Best Of Frank Sinatra) (CD), Andrew Lubman - Another Girl (File, MP3), Psalm 29 (A Psalm Of Glory) - John E. Giles - Songs For All Seasons: Art Songs By John E. Giles (CD), Tammy - The Ames Brothers - The Best Of The Ames (Vinyl, LP), Lying From You - Linkin Park - Bleed It Out (DVD), Just A Mile - Legal Weapon - Take Out The Trash (CD, Album), Change Of Heart - Various - Rhythm Divine 2 (Cassette), La Toune Cachée - Les Cowboys Fringants - Attache Ta Tuque ! (CD, Album), Feelings Of Love (P.A. Mix) - Michael Gordon (4) / A-Class Crew* - Feelings Of Love / More Dub (Viny, The Rule - Detective Red - The Rule / Hollow Love (Vinyl), Principio E Fine - Various - Superlongplaying (Vinyl, LP), Old Rattler - George Peagram* And Walter "Red" Parham* - Pickin And Blowin (Vinyl, LP, Alb, Marshall - Brian Harnetty - The Star-Faced One (CD, Album)

City Dervish - Justinus Primitive - The Children Of The Law Of One (CDr)

I've got nothing to do with this planet other than the fact that I was born in. I watch as fire takes water, oceans fall, skies fill with steam. Secret forms rise. Secret warriors awake. At the mouth of the Mediterranean, something amazing is taking place. Chorus Time starts to flow backwards. Mankinds ancestors rise. I thought that Egyptian gods were ancient until I viewed this sight. I witnessed half-formed humans, abominations coming up through time. The Sons of Belial harness unhealthy technology, destroys their minds.

I bear witness to the war of the ancient ones from before our time. Amazing crystal technology, the veil between the living and the spirit is neutralized, extra sensory phenomenom, and all vibrations of matter exist at one time, Chorus.

Modern man falls away, merging with the ancient. Creates something never been seen, something never existed before this day. Can you even call it a day? Time flows in a new direction. All mysteries have been revealed, secrets whispered out in the open; the mystery of the pyramids, the wonder of City Dervish - Justinus Primitive - The Children Of The Law Of One (CDr). My eye sees all, my eye is open. I merge and know everything's City Dervish - Justinus Primitive - The Children Of The Law Of One (CDr).

The afterlife. The revelation of dimensions. My eye is open. I relax into everything and cease to be a slave.

Lightworkers Manifesto I'm manifesting my manifesto. Sitting in light manifested as rainbows. I'm writing my verse under the guidance of angels with a non-dual perspective on realities angles. I arrived on the back of a goat footed faun… I arrived on the back of a goat footed faun unsure of what it was that I was to see. I didn't know where I was or what it was to awaken in me. Kathy's psychic circles; getting grounded, touching auras. Then I'm mouthing Egyptian mantras: Sa Sekhem fully realized human.

I'm flowing backwards like a river swaying violently. An aura of appreciation, a kaleidoscope of colored prisms. A conduit of energy is moving through a highway of vibrational thought, an orchestra of subtle sound and energy. OM Blessing, energy from heaven. Shamanic trance to align myself with sacred spirit guides. Reiki training; healing hands. Entered a space a never knew I had. Magick sigils invoking Pan. Now my dream space never ends. Oh Pan! Then the culmination of my path, a thing unplanned.

Elixir of Passion, a call to action. Spiritual longing and the call that resulted. Trekked my way up the hill, down on my knees with my hands in a prayer: God give me a connection. God give me a sign. I wanna know God. I wanna love God. I wanna love God so give me a one on one for the first time in my life. The answer that followed was somewhat amazing; two days later, heart conversation, talking with Matthew, sudden realization: The burst of bliss is Divine Inspiration! Peace Guild initiation, the magick worked and now City Dervish - Justinus Primitive - The Children Of The Law Of One (CDr) in it.

By the power of the golden light within, by the power of the sacred breath, I manifest this song! My magical awakening followed. Psychic skills, healing guides, cosmic sounds, magic powers. My initiation had ended, sahu in training, mystic beginnings. Aham Prema Transformation Mantra.

Invocation of the Horned God Pan. Entering ecstatic trances. Power from another land. Lindsay's divination of my divinely inspired musical path: pursuit of pleasure, desired outcome, blind impulse, secret plan.

The flow of the Way moves us mysteriously as we find ourselves growing apart, moving apart, consciously. I'm consciously not imposing my will of expectation, we are free. There is still love White Eagle As I undergo my City Dervish - Justinus Primitive - The Children Of The Law Of One (CDr) evolution, I come smack in the face with new concepts, new vocab and a new life plan: drop the spells, immerse in the flow, surrender to God, see where it goes.

Lightworking, mediumship, sing my prayers, heal the sick. Expand my mind, shapeshifting, live in light, start teaching. Flex my wings, simplify, sing to grow, grow to die. Merge with source: One with God. One with God. Law of One And the Archangels Sing Go higher. I'm in two worlds. Simultaneously two worlds I'm in.

I don't know what's going on. I'm somewhere I've never been. I don't know what I'm seeing. I'm in a place I've never been. I don't know what this place is. There's people all around me. I don't know who they are but it feels good. But it feels so, so, so …. My vision comes to and I'm in a… i'm a baby. I'm just sitting. I'm just laying laying laying in this cradle.

It's not even a cradle it's just a box in a barn. My vision starts to unblur and I see people I've never seen, I've never know. I don't know who they City Dervish - Justinus Primitive - The Children Of The Law Of One (CDr) but it feels so good.

A trilogy of angels crushed together on their heads. They don't know what they've been told but they are… talking in… Talking in three. Three heads, one mind, they see, I don't know how they do it but I can understand them. They don't say a word but I feel it in my chest.

For more information, visit: www. Contact I had An Accident. Streaming and Download help. Report this album or account. Get fresh music recommendations delivered to your inbox every Friday.

Jamie Lawson. Mental Buffey. Walter Khan. Michael Kunik. CorpoRAT Records. Fate Beats. MB for e-book readers. MB Mobi Version. I Had An Accident Records. All audio materials of Justinus Primitive are presented solely for information. All styles of audio music. On this site you can find any kind of music except for MP3 download. Abrogate are all rituals, all ordeals, all words and signs. But they are not of me. Let Asar be the adorant, Isa the sufferer; Hoor in his secret name and splendour is the Lord initiating.

Search results for Justinus Primitive. Loading Artists for Justinus Primitive. Loading Tracks for Justinus Primitive. Loading Albums for Justinus Primitive. One day Jon was sitting mindlessly in front of the TV, which in those days contained only three channels, plus a new UHF channel, not fully operational at the time. Suddenly, there appeared on the screen, an ancient looking man who spoke directly to Jon, giving him instructions to journey to a place that would change his life forever.

There are other sites that claim to be the Children of the Law of One, but the only true and reliable site is the one mentioned above.

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